A thoughtful response to generation Gogglebox.
Read More »Author Archives: James Prescott
iAm 4.0, Bush Theatre – Review
Featuring a solid premise, fantastic framing devices and genuine audience participation, iAm 4.0 makes for a mid-week must-see.
Read More »Takeover, The Bunker – Review
A simple premise, almost flawlessly executed by a talented, young troupe. The writing makes for a provoking social commentary and the raw delivery gives it a refreshing edge.
Read More »The Quentin Dentin Show, Tristan Bates Theatre – Review
Inventive project with a fabulous score, story could have flowed better.
Read More »Landmines, Ovalhouse – Review
Refreshing dissection of serious subject matter by a talented young cast.
Read More »Disconnect, Ugly Duck – Review
Newly-written dystopian tale has some nuggets but comes across as a first draft.
Read More »Spring Offensive, Omnibus Theatre – Review
Spring Offensive is a black comedy that takes a sinister look at the trivialisation of global conflict.
Read More »Big Guns, The Yard Theatre – Review
A pioneering piece of theatre with a provocative script that promises maybe a little too much.
Read More »Four Thieves’ Vinegar, Baron’s Court Theatre – Review
A fabulously revolting piece of period new writing set in a gloomy Baron's Court cellar.
Read More »La Ronde, The Bunker – Review
A cleverly crafted and thought-provoking piece of theatre, featuring a playful 'randomiser' mechanism
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