Charlotte Boreham
Charlotte has been reviewing with us since the depths of lockdown. Having very recently graduated with a degree in Modern and Medieval Languages from Cambridge she’s already becoming our specialist for any weird German and Russian plays that come along. If it’s got a giant insect in it, she’s there! She’s also a big fan of the Cambridge Footlights, Shakespeare, a cheeky bit of Goethe and of course Hot Gay Time Machine.
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Charlotte Boreham16 December 2022
Review: Hakawatis: Women of the Arabian Nights, Shakespeare’s Globe
A fresh and sensual look at the women of the One Thousand and One Nights.
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Charlotte Boreham9 December 2022
Review: Othello, National Theatre
This production brings a visceral quality to both the love and violence of this tragedy.
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Review: 1797: The Mariner’s Revenge, Old Royal Naval College
A frenzy of seabirds and delirium.
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Review: For a Palestinian, Camden People’s Theatre
An extremely powerful retelling of the life of Wael Zwaiter.
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Review: Le Gateau Chocolat and Jonny Woo: Now That’s What We Call Musicals!, Woolwich Works
There’s singing, dancing, sequined jumpsuits and moments of comedy brilliance.
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Review: Horizons: A 21st Century Space Odyssey, The O2 Arena
The bad boy of quantum physics
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Review: I, Kermit, Lion and Unicorn Theatre
A humorously absurdist exploration of the relationship between actor and character
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Review: Tolstoy Tried to Kill My Girlfriend, Camden People’s Theatre
A show that engages with powerful themes of queer representation in literature
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Review: The Gunpowder Plot, The Tower Vaults
An ambitious immersive experience, cleverly curated and with great potential.
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