Alexandra Gray
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Border Tales, Summer Hall (Main Hall) – Review
Reductive in its assessment of post-Brexit Britain, and complacent in the assumptions it makes about its audience. Great music and…
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All Genius All Idiot, Assembly Roxy – Review
Circus rebels without a cause strut, preen and pounce on each other in this anarchic show. Exhilarating to watch, but…
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Lady Macbeth: Unsex Me Here, Dance Base – Review
A sophisticated piece of psychological dance theatre performed with real excellence.
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Kin, Underbelly Circus Hub – Review
Hugely entertaining and superbly performed, this piece thoughtfully and poetically translates universal themes into the visual language of contemporary circus.
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Thirsty!, Brasserie Zedel – Review
Pros: Great songs, smart jokes, no fillers Cons: It’s only on for three days Thirsty! is Tori Scott’s London debut…
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Escape 2 , Blue Elephant Theatre – Review
Pros: Preternaturally strong aerialists are a joy to watch. Cons: Amateur production values and a lack of clear concept. I…
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All I Want is One Night, Wilton’s Music Hall – Review
An enchanting piece of new writing with songs. The original subject matter makes this piece even more interesting, and the…
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The Last Ones, Jermyn Street Theatre – Review
The cast is good, and there are some tender and comic moments, but overall this production fails to make much…
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Transitions, Trinity Laban – Review
Intriguing and watchable choreography served these talented emerging dancers well, but their professionalism was diminished slightly by the college atmosphere.
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Othello, Wilton’s Music Hall – Review
Superb design and movement direction support a tight and powerful contemporary production of Shakespeare’s timeless tragedy.
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