Alan Flynn
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Listen, We’re Family – Wilton’s Music Hall, Review
This performed recital of Jewish life stories is inventive and insightful, though at times its demanding method distracts from the…
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One Thousand And One Nights, Rich Mix – Review
This relaxed and enchanting evening with a gifted storyteller is a great way to experience some of the most sumptuous…
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Ghost From A Perfect Place, Arcola Theatre – Review
This evocative revival of East End gangster life is enjoyable if a little on the tame side.
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Emilia Galotti, Barons Court Theatre – Review
This production brings out the best in this 18th century tragedy of love, lust and power.
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The Comedy of Errors, The Museum of The Order of St John – Review
This quirky take on Shakespeare’s farcical comedy is unbeatable for its exuberance and lusty humour.
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Buttons, The Space – Review
An admirable blend of puppetry and storytelling from two relaxed and likeable performers.
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The Immortal Hour, Finborough Theatre – Review
This skilful revival of a British faery opera inspired by Celtic mythology is a centenary production well worth seeing.
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The Five Stages of Waiting, Tristan Bates Theatre – Review
This short comedy-drama of a family coping in crisis is funny but not as deep as it intends.
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Timon of Athens, The Space – Review
A worthwhile opportunity to see Shakespeare’s rarely performed fable of bankruptcy and misanthropy, re-imagined in modern day London.
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The Merry Wives of Windsor, Coram’s Fields – Review
The seventies theme and musical numbers give fresh life to Shakespeare’s rib-tickling revenge comedy.
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