Year: 2026

Reviews

Review: Why I Stuck a Flare Up My Arse for England, Garrick Theatre

A thoughtful examination of masculinity, belonging and redemption.

Reviews

Review: GOSS, Bristol Improv Theatre 

GOSS alchemises audience anecdotes into comedy gold – part improv, part stand-up, part dance, and entirely its own thing.

Reviews

Review: Meat Cute, The Other Palace

A joyful, chaotic, and deeply relatable comedy that proves female friendship stories can be every bit as romantic as love…

Reviews

Review: The Rewilding of Uncle Dad, Bold Theatre 

A charming, immersive soundwalk, combining clowning, movement, and live sound to make the ordinary strange and extraordinary.

Reviews

Review: Much Ado About Nothing, Shakespeare’s Globe

Light and dark worlds collide in this assured production.

Interviews

Interview: Oh, Canada! Why London is the Perfect Stage for Canadian Storytelling

Kay Brattan and Katherine Alpen tell us about Great Canadian Theatre Festival For two nights this month, the vibrant energy…

Reviews

Review: Camdenwalla, Camden People’s Theatre

A performance with added emotion when you realise that the building we are sitting in is the same building where…

Reviews

Review: Gala Flamenca, Sadler’s Wells

More intoxicating thrills, unparalleled physical excellence and outstanding drama than you can ever imagine!

Reviews

Review: Our Public House, Tanya Moiseiwitsch Playhouse

An interesting and absorbing exploration of political issues, considering how ordinary people can make their voices heard.

Reviews

Review: Miraculous, King’s Head Theatre

Funny, unsettling and quietly intense – faith, doubt and control unravel in a tense two-hander that never stays comfortable for…

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