Year: 2025

Interviews

Interview: Breakups, Buddhism, and the Pressure of Modern Manhood

Chris Fung, a West End, has turned his attention to writing with The Society for New Cuisine (SFNC). A dark,…

Features

The Etties: Best Fringe Venue

The Etties are very much a bit of fun to celebrate those smaller shows and venues that all too often will…

TYA

Review: The Pea and the Princess, Polka Theatre

A colourful, musical reimagining of the familiar fairy tale, with additional ninja moves and an empowering message that gender roles…

TYA

Review: Great Big Tiny World, Southbank Centre

Utter sorcery. This is an exceptional, joyfully sensory experience for babies that creates a microcosm in which to understand our…

Drama

Review: Otherland, Almeida Theatre

A play that is about so much more than being trans, Otherland is a celebration of female unity as it…

Dance

Review: Birdboy/United Fall, Sadler’s Wells

Irish choreographer Emma Martin’s London debut promises an all-ages tribute to the oddballs of the world but rather slides between…

Comedy

Review: Gangbang, Seven Dials Playhouse

A strong send up of mob movies. If you're a fan of the genre, Hughie Shepherd-Cross's play will make you…

Reviews

Review: Swan Teeth, Theatreship

Swan Teeth is a reflection on love, loss and being in relationships. A play-within-a-play that feels more like hearing about…

Reviews

Review: The Count of Monte Cristo, Theatre at the Tabard

A humorous reimagination of Defoe's classic novel, skilfully written to still capture his essential questioning of moral responsibility

Reviews

Review: Sh!t Theatre: Or What’s Left Of Us, Soho Theatre

A surreal and singular creative triumph that develops slowly, gripping you with its macabre approach and witty humour, and culminates…

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