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Ballet meets circus performance in this unique retelling of Swan Lake.Summary
Rating
Good
Duck Pond is a circus retelling of the beloved Swan Lake. Created by Circa, it combines traditional ballet with circus whilst still maintaining the romance that Swan Lake is known for.
The standout moments of the show come, unsurprisingly, from the incredible circus and acrobatic skills. The cast are incredibly in tune with each other, both with their timing and their trust – a crucial component for a show involving such highly skilled circus performance. Furthermore, there are some fantastic (albeit unexpected) moments of slapstick comedy.
The cast wear simple, sparkly black costumes which are absolutely stunning. At times, the cast come onstage in duck outfits – equally sparkly but instead of elegant, these costumes fit perfectly with the slapstick moments in the show. Using a variety of props, they showcase both their showstopping circus skills and their strong physical comedy skills. Hula hoops and aerial silks are used to showcase awe-inspiring acrobatic tricks – while broomsticks, a TV and boxes on wheels are used to perform slapstick scenes.
In terms of set, there is very little. Instead, the stage is used to their advantage in maximising performance space. The lighting design by Alexander Berlage is well done and, along with the props, means that the stage never feels empty or lacking.
Romance is of course a major theme, which is to be expected given its Swan Lake inspiration. However, an unexpected extension of this theme is that of queer romance. Without giving any spoilers, it is a lovely surprise to see that Circa, as well as giving Swan Lake a circus makeover, have also given the story a modern update.
There are a couple of moments in the show where the cast look as though they are struggling to maintain their positions when doing complex lifts, which is further emphasised by the sparkly costumes that shimmer under the lights with even the slightest movement. Given the advanced nature of the performance, it is arguably fair to forgive the cast for this, particularly as it was opening night which in itself can be very daunting.
Whilst for the most part the story, what is happening and the character’s emotions are clearly conveyed, there are moments where this clarity is lacking. This feels an oversight in the storytelling that affects the flow, and suggests that more focus has been given to the circus aspect, at a small detriment to the story itself.
Special mention needs to go to the Royal Festival Hall’s front of house team. Upon arrival, they are quick to come over and greet you, offering any assistance you might require. The wheelchair space that I was seated in was about halfway back in the tiered seats, providing a side view, similar to that you might find in a Royal circle box at some theatres. It offers a clear view and allowed me to enjoy the show to its full.
Duck Pond is a good show, not only for ballet fans wanting to experience Swan Lake in a different light, but for anyone wanting to experience the joy of watching impressive circus and acrobatics.
Created by: Yaron Lifschitz and the Circa ensemble.
Directed and stage design by: Yaron Lifschitz
Composer and Sound Design by: Jethro Woodward
Costume Design by: Libby McDonnell
Lighting Design by: Alexander Berlage
Associate Director: Marty Evans
Dramaturg/Associate Choreography by: Rani Luther
Voice Over Artist: Elise Greig
Duck Pond plays at Royal Festival Hall until 30 December. Further information and tickets available here.
