Month: August 2022

A bit of a weak production upheld by a fantastic cast.

Clear talent in the cast and in particular in Whinney’s script.

A pleasant debut hour but it is currently lacking in punch.

An ambitious and fascinating concept.

Intensely honest (and often funny) reflections.

An enthralling, stripped-back yet intricate auditory performance.

funny and layered Eurovision play.

An energetic and enthusiastic dissection of the Noughties earworm.

A powerful and menacing portrayal of the reality of psychological bullying.

An affectionate tribute to the great Victoria Wood.