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Monthly Archives: June 2019

Bare: A Pop Musical, The Vaults – Review

Originally performed in 2000, Bare: a Pop Opera is starting to show its age.  Set in the senior year of a private Catholic school somewhere in North America, it is centred around a relationship between two teenage boys Peter (Daniel Mack Shand) and Jason (Darragh Crowley).  Jason is the self-confident golden boy, whilst Peter is more reserved and cautious.  They have, so far, hidden their relationship from the rest of their year group, most of whom have their own issues ...

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Sh!tfaced Shakespeare: Hamlet, Leicester Square Theatre – Review

Pre show, I grabbed a flyer for Sh!tfaced Shakespeare. The early signs were not promising; according to said blurb the show features a cast of professional Shakespearian actors; each night one lucky victim is selected and carefully intoxicated for up to four hours prior to the show. The remaining sober cast members then have to navigate their way around the play with their drunken comrade in tow. The play was introduced by the compare, a blonde sequinned ringmaster who screamed ...

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What Was Left, Southwark Playhouse – Review

As we walk into the theatre, set up like a dingy apartment, the lights yellow and humid, the three characters are sitting on the furniture, looking at their phones. Soph gets her sister, Dex, and brother, Sim, up, and they go to their grandmother’s funeral, where a religious figure of some sort reads a hilariously bad obituary. The siblings start to giggle and we straight away get into the extremes we will spend the next 90 minutes in: the cold ...

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Pictures of Dorian Gray, Jermyn Street Theatre – Review

Following the beautiful Dorian Gray this famous tale of vanity and Victorian “morals” is turned on its head when we have a buffet like selection of choice. With 4 alternative versions, the four actors change roles daily in various configurations in an imaginative gender-bending take on the story. Tonight I had a gloriously complex portrayal of Dorian from Helen Reuben, providing all the joys and contrast of a female protagonist, and equally as fascinating was Augustina Seymour’s Sybil Vane. This ...

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