Writer/performer Libby Liburd shares how her experiences with boxing – and those of the women that came before – inspired her new play 'FIGHTER'.
Read More »Monthly Archives: March 2019
Sh!t-Faced Showtime: Oliver with a Twist! – Review
A riotous take on the iconic British musical
Read More »Cry Havoc, Park Theatre – Review
“What is your relationship to this man?” It’s a question that recurs through Tom Coash’s play, and it’s one that neatly keeps the focus on the two central characters. These are Nicholas (Marc Antolin), a British academic working in Egypt, and his native lover Mohammed (James El-Sharawy). His name having been “on a list” since some political cartoons in his student days drew him to the attention of the authorities, the play begins with Mohammed, newly released from police custody, ...
Read More »Killymuck / Box Clever Double bill, The Bunker – Review
Social inequality is the theme that binds Killymuck and Box Clever together, a double bill of one woman shows at The Bunker. But there is so much else that links these shows. Both have powerful performances from their sole actor, exploring the lives of young women affected by the simple fact they were born into poverty and social inequality, and both are a mixture of laughter and seriousness as they try to present their topics in a way that will ...
Read More »Wolfie, Theatre503 – Review
Wolfie is a play that is surely destined for a longer life than its few weeks at Theatre503
Read More »The Idiot, Print Room at the Coronet – Review
Fyodor Dostoevsky’s The Idiot revolves around Prince Myshkin (Saburo Teshigawara), a young man who returns to Russia, having spent four years in a Swiss clinic to treat his epilepsy. Soon, his good spirit and innocence clash with the dirt and evil of the local aristocracy. This is represented on stage in the contrast between the Prince’s pristine costume and the stark, if gorgeous, gowns of Nastasya Filippovna Barashkova (Rihoko Sato), the unworthy woman with whom he becomes increasingly obsessed. In ...
Read More »Tom Hiddleston’s Homecoming – and Other European Actors We’ve Welcomed Home Before
As Tom Hiddleston returns to the West End in 'Betrayal', we looked at some other European celebs who have returned to the stage – and others who could soon follow in their footsteps.
Read More »Mary’s Babies, Jermyn Street Theatre – Review
Mary’s Babies is inspired by true events. From the 1940s through to the early 60s, Mary Barton and Bertold Wiesner ran a London-based private fertility clinic. Medically ground breaking at the time, they assisted in the conception and birth of well over a thousand children, known collectively as the ‘Barton Brood’. At the time, there was no statutory framework covering such procedures and with the clinic insisted upon absolute secrecy, all records were destroyed. Regulations were introduced in 1990 whereby ...
Read More »King Lear, Jack Studio Theatre – Review
A stunning cast and pitch-perfect delivery that’s full of clever ideas. This is an exemplar of Shakespearean theatre.
Read More »The Cabinet of Madame Fanny du Thé, Pleasance Theatre – Review
As you enter the small 60-seater basement space of the Pleasance Theatre you see a cast of five: three musicians playing Eastern European folk music on a cello, a guitar and an accordion, with two young men unaccountably wearing dresses, swaying in time to the music. Enter Madame Fanny (Kate Stokes), who’s also credited as the lead writer. She explains that it’s some time in the late 18th Century, and that she’s about to relate tales of her travelling exploits. ...
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