R.C. Sherriff Directed by David Grindley ★★★★★ Courtesy of TimeOut Ordinarily, we reserve the elusive five stars for productions which have broken the boundaries in some way. Frankenstein was unlike anything I’d seen before, and One Man, Two Guvnors was the single funniest production I have ever had the pleasure of watching. David Grindley’s production of Sherriff’s Journey’s End doesn’t deliver anything ground-breaking – in many ways it doesn’t allow for much artistic license since it is in essence a ...
Read More »Monthly Archives: July 2011
A Woman Killed with Kindness, National Theatre
Thomas Heywood Directed by Katie Mitchell ★★ Courtesy of the National Theatre The National’s recent productions have been so good that I suppose it was only a matter of time before they produced one that didn’t live up to the high standards we now expect. Despite being classed as Heywood’s masterpiece, I cannot profess to having heard of A Woman Killed with Kindness before the National’s revival. Some basic research reveals that it is a critically acclaimed piece, regarded as ...
Read More »One Man, Two Guvnors – the success continues
Everything Theatre's James Hodgson argues that the success of One Man, Two Guvnors is a triumph for the National Theatre, the West End and the Arts.
Read More »Theatre Royal Haymarket, London
Theatre Royal Haymarket OUR OPINION Before I wrote this, I knew very little about the Theatre Royal Haymarket, but I have always appreciated its luxurious interior, and it has provided me with some of the most memorable nights of theatre in my life (for instance, Waiting for Godot and Flare Path). Despite this, I had never really thought about its history. The research that I have done for this piece however has completely changed my perspective. So much so in ...
Read More »Spotlight: Andrew Scott
Andrew Scott as Julian the Apostate Emperor and Galilean, Henrik Ibsen’s ‘lost masterpiece’, has just opened for the first time in English at London’s National Theatre. The three-hour-long epic Drama deals with the rise and subsequent fall of Emperor Julian the Apostate in the 4th Century AD. The play relies heavily on the actor playing the role of Julian to carry it through: indeed, a flat performance would make the entire experience totally unpalatable. But Andrew Scott, who plays this ...
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