Witty play with an absurdist influence which leaves the door open to multiple interpretations about work and labour relations.

Pros: As a piece of theatre, this will entertain many. Cons: As a piece about anxiety, it seems at times almost to send up the subject matter. Cards on the table: I suffer from anxiety. It controls my whole life in ways most people will never realise, and what people see as unsociable is in fact me avoiding anything that could heighten my anxiety. Even reviewing can trigger it. I might seem confident and relaxed, but what people don’t see ...

Pros: Good to see a foreign language production in the West End Cons: A failure of common sense in the use of surtitles Molière’s Tartuffe on the West End stage. A story of bad faith and credulity for the age of MAGA and taking back control, in a version that’s simultaneously accessible to English and French speakers. An admirable project, and one that might have made perfect sense on paper. The same is not true on stage. Christopher Hampton’s adaptation ...

A fresh, energetic and funny adaptation of a well known Shakespeare favourite. Lives up to the claim of being an accessible introduction, if by chance you haven’t seen it before.

A right Royal romp through an alternative 2011, where prince-in-disguise Bertie and his fiancée, pub chef Chelsea, are about to turn Daily Express readers potty.

A toe-tapping musical adaptation of the iconic early noughties drag queen movie, with live music impressively integrated into the action.

Flawless entertainment in this hilarious and heart-warming family comedy about a cross-cultural wedding.

Mellifluous, masterly magic presented for your edification by waggish, whiskered, wizards. Suitable for oldlings and younglings alike.

The funniest thing in London right now. One of those have-to-be-there experiences, so I urge you: go be there.

With music, dance and comedy, a group of LAMDA fresh grads hit the most common feminist-related arguments right on the head.