The funniest thing in London right now. One of those have-to-be-there experiences, so I urge you: go be there.

With music, dance and comedy, a group of LAMDA fresh grads hit the most common feminist-related arguments right on the head.

Acting Gymnasium deserves top marks for their commitment to inclusion and diversity, but the performance lacks skill and structure.

Pros: Fun choreography, daft puppetry, huge energy. Cons: Heavy on smut, light on good songs. When Much the Miller’s son gets lost in Sherwood Forest, salvation comes at a price: the ragtag bunch of men who come to his rescue have a tiresome habit of breaking into song and dance. Because this is Nottingham, where life is a musical and everyone knows their lines, their steps and their place. Anyway, a few escapades later, and having won the hand of ...

A masterpiece of inventiveness where a visionary comic style is complemented by an out of the box design.

Extremely entertaining, hilarious and interesting show about the struggles of setting a comedy workshop in the heart of the Jenin refugee camp in Palestine.

Pros: Kuran Dohil’s professional stage debut is brilliant and side-splittingly funny. She captivates the audience with her powerful stage presence. Cons: Does well to avoid sweeping generalisations, but includes some religious stereotypes, especially in the portrayal of convert Simon. Guleraana Mir’s play Coconut tells the story of twenty-something Rumi, a Muslim ‘coconut’, brown on the outside, white on the inside. Rumi is a pork-scratchings-and-vodka kind of girl, instead of the modest girl her family and community want her to be. Just when she thinks she’ll never find ...

More musical revue than musical, this show offers an evening of light entertainment in its exploration of the universal theme of love.

Original and enjoyable show by one man (and two speakers!) which offers an interesting view on self-reflection and the play-within-the-play theme.

Loud. Obnoxious. Intense. Disgusting. And bloody brilliant.