Strong performances and star power, can’t save this repetitive and interminable production.

An unsuccessful revival of a rarely performed 1963 Tennessee Williams play.

I love the metaphor at the heart of The Glass Menagerie. Laura, the daughter of the play, overwhelmed by the expectations of the world, treats her collection of tiny glass animals with such care lest they break. To stage this play, the metaphor must radiate through every facet of its production. Laura’s anxiety threatens the security of her family, should she not find a husband. Her mother Amanda’s desperation to micro-manage her life maintains a familial tension that holds the ...

One of Tennessee Williams' lesser known plays gets a stunning reboot in a production oozing with class.

A snappy 45 minutes of drama, consisting of two short plays, to fit into your lunch break. However, the performance of Caryl Churchill’s Seagulls far outshines the unremarkable opener, Tennessee Williams’ Every Twenty Minutes.

An unmissable exploration of sexuality and homophobia, this firecracker of a play is gripping from start to finish.

This is one of Williams’ lesser produced works – you’ll probably need to be a fan of the writer, or of the theatrical epoch that the work typifies, to enjoy it.

A charmingly staged and well performed first project for new musical theatre innovators, Spatfeather.

The show delivers what you want out of a Williams play, with panache and charm to spare.