Have you ever moved to a new house or workplace and gone past the place you left, soon after? It’s something like feeling your phone vibrate in your pocket, but finding it’s not there. These feelings struck me as I sat on the Piccadilly Line and passed straight through Piccadilly Circus, Leicester Square and Covent Garden on a theatre night without getting off. I was heading to deepest darkest North London for a performance at Chickenshed. A short walk from ...

I wanted to love this show so much, because of the subject matter. And certainly, the bravery of real Vicky in the hateful climate of the 80s, and the support she received in her journey is stirring stuff! But a play is not comprised of themes alone, it is writing, acting, lighting, directing and a host of infinitesimally small things. It is in the realisation of its themes that Call me Vicky falls down. There is an issue of timing ...

Certain theatres have a mystique, a marque of quality that sets them apart; an assumption that a play must be good if it’s running there. The National Theatre, Royal Court and Shakespeare’s Globe are three such examples. Add to that list the Young Vic, just down the road from its older sibling in Waterloo. Like many modern theatres, the bar is set to the front entrance, creating a great atmosphere as you go in. The performance area is arranged amphitheatre ...

In Italy, where I grew up, the TV series Fame was broadcast in the afternoon, when families would enjoy it gathered after lunch. As a young child, I wouldn’t pay much attention to the topics, but rather enjoy the musical score and, in particular the opening credits with the series’ theme song. Only recently have I been made aware of how controversial some of those topics were. For those who aren’t familiar with this 1980s cult title, Fame focuses on ...

The inventive, social-change focused company Improbable present The Paper Man at one of London’s most vibrant venues for new theatre and comedy. It’s the true story of Matthias Sindelar, an Austrian football star who refused to throw a match against Germany during the Nazi regime and was found dead a few months later. Lee Simpson, actor and co-artistic director of Improbable, explains on stage that he wanted to tell this story for a long time and, but when he hired ...

There is something exhilarating about seeing a work in progress, especially when it’s from a team surely only just out of their teens!  There’s an energy created you just don’t get at normal press nights. Ok, so that’s because the place is full of friends and family along to support, but that means an excitable youthful atmosphere that is just so joyous to be part of.  Secondly, the anticipation that you might be witnessing something special that may one day ...

Like the abusive marriage that it describes, Bottled starts off deceptively sweet. It is Katy’s 15th birthday, and she’s celebrating at home with family and her mum’s boyfriend, some shiny balloons and a violently pink cake. As she talks us through the scene, describing the characters and their part in her life, the commentary is wry and perceptive, a healthy mix of childish candour and teenage snark. When, shortly after that birthday party, she hooks up with Bradley, a hot, ...

It seems every time you step into Jermyn Street Theatre you step back in time.  Tonight, we are transported to around 1900. It’s a time when a woman separated from her husband would be perceived as damaged goods. It’s also a time when any play challenging perceived acceptable behaviour would likely be banned. It’s possibly because of this fact that writer Harley Granville Barker never let this play be performed.  Instead it sat collecting dust for over one hundred years, ...

The wonderfully warm surroundings of the Old Red Lion in Islington has its usual glow: flock wallpaper, chesterfield sofas, a dog sleeping on the floor and football on the telly (think I’ve just described my house in the 1970s?). A framed England rugby union shirt now adorns the wall, and a Norwich City St Georges flag hangs over the bar. Not only does it stock a range of lagers, craft beers and cider, it also houses one of the finest ...

In late 19th century Paris, a bawdy new dance was born. The can-can grew from the seductive dances of Moulin Rouge courtesans into a high-energy show involving high kicks, splits, and exposed undergarments. Back then, you would have to go to French cabaret for the can-can. Now you can see it in railway arch in South London. Can-Can! promises fun and frivolity, and boy does it deliver. The show is a stunning, sugary confection of acrobatic feats and lavish design. ...