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Mary’s Babies, Jermyn Street Theatre – Review

Mary’s Babies is inspired by true events.  From the 1940s through to the early 60s, Mary Barton and Bertold Wiesner ran a London-based private fertility clinic.  Medically ground breaking at the time, they assisted in the conception and birth of well over a thousand children, known collectively as the ‘Barton Brood’.  At the time, there was no statutory framework covering such procedures and with the clinic insisted upon absolute secrecy, all records were destroyed.  Regulations were introduced in 1990 whereby ...

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The Cabinet of Madame Fanny du Thé, Pleasance Theatre – Review

As you enter the small 60-seater basement space of the Pleasance Theatre you see a cast of five: three musicians playing Eastern European folk music on a cello, a guitar and an accordion, with two young men unaccountably wearing dresses, swaying in time to the music. Enter Madame Fanny (Kate Stokes), who’s also credited as the lead writer. She explains that it’s some time in the late 18th Century, and that she’s about to relate tales of her travelling exploits. ...

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She’s A Good Boy, Battersea Arts Centre – Review

Homegrown Festival: Occupy He. She. Him. Her. They.  Such little words but with so much meaning.  But as Elise Heaven tells us, gender is a social construct.  There are people who don’t identify as he or she, otherwise known as non-binary.  Such as Elise Heaven, who isn’t he or she, but as is Elise’s wish, the pronoun to use is “they”.  Except they is singular, not plural.  Well that’s going to mess my editor’s head up, that’s for sure. [Ed: ...

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High Rise Estate Of Mind, Battersea Arts Centre -Review

Homegrown Festival: Occupy There is an incredible buzz in the building tonight for the grand opening of Battersea Arts Centre’s Homegrown Festival: Occupy, an almost month-long takeover of this lovely old building, by under represented voices.  There is nothing quite like the hum of so many excited and engaged youngsters to make you smile and savour the energy and joy they can generate.  It’s almost worth going along just to sit and enjoy that feeling, but then again, whilst you ...

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Othello, Union Theatre – Review

Shakespeare’s tale of deceit and malice is not an easy one to stage. Even with an interesting re-contextualisation set in the British Raj in 1919, the production at the Union Theatre fails to fully own this mammoth play.  The ‘green-eyed monster’ and the quintessential Machiavellian baddie Iago provide enough juice, drama, and betrayal to make a real meal out of. But to enjoy a meal one needs cutlery (bear with me on this metaphor), and that would be the actors. ...

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We Know Now Snowmen Exist, The Space – Review

We Know Now Snowmen Exist takes its inspiration from real life, if very loosely. In 1959 nine people died during a trek in the Dyatlov Pass, Russia, in some very strange circumstances indeed. It’s an incident that has become so infamous that Dyatlov Pass is even named after the leader of the hike. It’s an incident that has been the source of myth and speculation ever since.  Writer Michael Spencer clearly loves a horror yarn, transferring the story from Russia to ...

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