Rachel Edwards
Rachel became obsessed with Shakespeare as a teenager, after unexpectedly spending two hours in a waiting room with only a copy of Hamlet for company. She's now a regular at the Globe, and loves seeing shows in unusual places. Outside of the theatre, she's enthusiastic about Scottish dancing, beautiful buildings, and economic growth.
Review: Cabaret Unleashed, Proud Embankment
Review: The Flea, The Yard Theatre
Review: Immersive Picture of Dorian Gray, CRYPT
Review: The Oyster Problem, Jermyn Street Theatre
Review: Hamlet, Lion and Unicorn Theatre
Review: Operation Mincemeat, Riverside Studios
Review: Starcrossed, Wilton's Music Hall
Review: Austentatious, Leicester Square Theatre
Review: The Misfortune of the English, Orange Tree Theatre
Review: The Tempest, The Pleasance