Nick Myles
Nathan is a writer, painter and semi-professional fencer. He fell in love with theatre at an early age, when his parents took him to an open air production of Macbeth and he refused to leave even when it poured with rain and the rest of the audience abandoned ship. Since then he has developed an eclectic taste in live performance and attends as many new shows as he can, while also striving to find time to complete his PhD on The Misogyny of Jane Austen.
Review: Rosie: The Musical (soundtrack)
Review: West End Sessions, Brook Mews Wine Bar
Review: Hir, Park Theatre
Review: Before After, Southwark Playhouse
Review: Dazzling, Etcetera Theatre
Review: Dreaming and Drowning, Bush Theatre
Review: Titanic, Bridewell Theatre
Review: Ghost Stories by Candlelight, Sam Wanamaker Playhouse
Review: 1984, Hackney Town Hall
Review: The Interview, Park Theatre