Maria McKenzie
In a former life, Maria studied languages and worked as a Personal Assistant. She is an occasional playwright who delights in putting feisty women at the centre of her stories. Some of her monologues, inspired by and written during Lockdown 2020, have been published in an anthology. She counts herself lucky (and spoilt for choice!) to have some top fringe theatres in her London neighbourhood. She particularly enjoys devouring dark comedy plays. Two of her theatre highlights are watching the formidable Ralph Fiennes perform at Almeida Theatre and the late Helen McCrory perform at The Old Vic.
Review: The Makings of a Murderer, Adelphi Theatre
Review: One Minute, King's Head Theatre
Review: Dawn Again: A Rap Opera, King’s Head Theatre
Review: Candlesticks, White Bear Theatre
Review: Somebody's Daughter, Camden Fringe 2022
Review: The Poison Belt, Jermyn Street Theatre
Review: Forsaking Others, White Bear Theatre
Review: An Intervention, Riverside Studios
Review: If. Destroyed. Still. True. The Hope Theatre
Review: Steve, Seven Dials Playhouse