A beautifully-staged version of a classic fairytale that deserves to win new admirers.

Pros: There’s something very magical about seeing an opera in such a small space and immersing yourself in the music. Cons: Some theatrical tricks employed here might be better left for the big stages. This new reworking of Giacomo Puccini’s opera Tosca, by Becca Marriott and King’s Head Theatre artistic director Adam Spreadbury-Maher, is set in Paris during World War Two. Painter Marius, played on press night by Martin Lindau, has agreed to hide a Jewish man who has escaped ...

A show which is high in style, but low on substance. Those hoping for thrills, cheap or otherwise, should look elsewhere.

A simple, moving introduction to a mammoth event in recent history.

This is an important piece of work around men’s mental health and the tragedy of railway suicides. It won’t be for everyone, but it provides strong talking points on a serious issue.

Twist successfully takes the complexity of the Syrian refugee crisis and condenses it into one human experience. The approach makes for an emotional and thought-provoking show that is not too hard to comprehend, moving to watch and which suits its younger target audience.

Another London revival of work that might once have been thought a masterpiece, but now may fail to engage a younger audience.

While ‘Corbynistas’ will love this diatribe against anyone (or anything) leaning to the right, A Nazi Comparison isn’t for those looking for a balanced, intellectual show.

A well-performed production with some wonderful storytelling. A must-see if studying it for GCSE.

This is an unpolished but nonetheless very well executed show, fun in its current form and full of future potential.