This show was a wonderful mix of breathtakingly beautiful dance mixed with humour and heart. 

This concept-driven dance production promises much, but fails to realise its potential.

Pros: The production features exciting, high energy movement set to visually arresting video footage. Cons: The large audience often blocks the three dancers from view and at times the live dancing and pre-recorded footage does not feel fully integrated. Bridging the Void is a dance, film and music production with choreography by Rachel Johnson. The production combines live dance with original music and footage of a sunrise over Primrose Hill, which is projected onto the back wall of the venue. ...

A show with this much power in a space as intimate as The Hope Theatre makes for an intense evening. It leaves you with plenty to think about.

Humour, philosophy and entertainment in this truly theatrical environment committed to showcasing new work.

Pros: The show’s imagination, creativity and atmosphere are outstanding examples of how to bring a classic to life. Cons: Some may find the flashing lights, loud metal music and smoke a bit much. Wilton’s Music Hall is a charming piece of history. It is the oldest surviving music hall in the world and its exposed and crumbling bricks, distressed walls and creaky floorboards make it the perfect venue for a classic piece of art to come to life in modern form. ...

A truly immersive and captivating piece from Hubert Essakow's trilogy that draws your attention from start to end through strong choreography and excellent use of the space.

One step beyond watching from the sidelines, this is the perfect performance to truly lose yourself in.

A classic children’s tale of sorcery and romance which captivates a grown-up audience with its gothic allure.

As a piece of visual art alone the three performers – together with fantastic choreography and hypnotic music – are enough to draw your attention for the hour long performance.