Opera
Contrary to the opinions of some, opera is so much more than the fat lady singing. Whilst opera does still struggle with a reputation of only being for the rich and upperclass, there are plenty of companies making opera for the fringe audience and we’ll always here for that!
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The Barber of Seville, JW3 – Review
This on trend production in the style of an English period drama infuses Rossini’s comic opera with new energy and humour.
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Dot, Squiggle and Rest, Polka Theatre – Review
A vibrant and mesmeric opera – the perfect introduction to opera and dance for toddlers.
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Popup Opera: L’Italiana in Algeri, Thames Tunnel Shaft – Review
Demystifying opera, this production was enjoyable no matter what your knowledge or experience of the genre. Meticulously performed. A unique and inspiring venue, but access is tricky.
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Traviata Tells All: An Unexpected Opera Chat Show, St James Studio Theatre – Review
A refreshingly original approach to opera which is sure to win over a host of converts.
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Carmen Disrupted, Almeida Theatre – Review
Though beautiful and well acted, this production about the isolation and disconnect of urban life ultimately isolates audiences with overly artsy elitism.
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Carmina burana & Serenade, English National Opera – Review
This is about the most exuberant, vibrant, downright enjoyable classical performance you'll have seen for years.
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Giovanni, The Vaults Waterloo – Review
An accessible and energetic opera, which simply requires a rethink of its staging.
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Ruddigore, The King’s Head – Review
The Charles Court Opera Company nail this production with finesse. It is lots of fun and will put a smile on your face!
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Frankenstein: The Metal Opera, The Space Arts Centre – Review
Fabulous gothic fun in a quirky format.
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The Anatomy of Melancholy, Testbed 1 – Review
A classy, polished contemporary opera that explores the history and current approach to depression - but without reaching any conclusions.