Off West End

Much like fringe theatre, trying to define what Off-WestEnd venue really means is a debate that would take us long into the night. So for our own sanity, we define it as those venues that are slightly bigger than the fringe venues (so roughly 100+ seats), but not the big West End or similar venues that form part of the Society of London Theatre (SOLT). Like fringe venues, Off-WestEnd are eligible for consideration for awards via the Fringe Theatre Awards.

  • Tea with Mamgu, The London Welsh Centre

    Written and directed by David J. Evans ★★★ Pros: An interesting approach to the very difficult subject of succumbing to dementia. Funny at times and moving at others. Enjoyable elements of Welsh culture and some very good acting.Cons: Slightly static…

  • Ocelot: Resurrection, The Last Refuge

    The Brothers KaufmanDirected by Jonathan Kaufman★★★ Pros: Hilarious short pieces and a wildly funny, engaged cast. Cons: Inclusion of light and set design would have bumped the presentation up a notch. Our Verdict: Though it could have been easier on…

  • The Seagull, Watford Palace Theatre

    Anton Chekhov, in a new version by John Donnelly Directed by Blanche McIntyre  ★★★★  Pros: A modern script that pulls Chekhov into the 21st century, with some fantastic, natural performances and a great set.  Cons: Still a little hard to follow…

  • Britain’s Got Talons, Hen and Chickens Theatre

    James Morton Directed by James Morton and Chris Lawson ★★★ Pros: A topical and fresh idea which will appeal to a young audience.  Cons: The play (and its audience) would benefit enormously from an interval. In its current format, it…

  • Singin’ I’m No a Billy He’s a Tim, The Cockpit

    Written and directed by Des Dillon ★★★ Pros: A great script. Funny and poignant with strong themes, cleverly delivered in a very credible setting. The cast are fantastic and deliver wonderful comic timing.  Cons: Although pacey and energetic, it is…

  • Around the House, Ovalhouse Theatre

    Presented by the Ovalhouse Theatre Part of 33% London  ★★ Pros: An ideal platform for showcasing young talent.  Cons: The site specific setup was clumsy and contributed little to the production.  Our Verdict: A good idea for a production, but…

  • Publius Horatius, White Bear Theatre

    Presented as part of the AXIS Emerging Artists Festival alongside Vesta Created and directed by Menelaos Karantzas ★★ Pros: A clever set for a black box venue with some lovely direction and staging.  Cons: Quite slow which made it hard to…

  • Vesta, White Bear Theatre

    Presented as part of the AXIS Emerging Artists Festival alongside Publius Horatius  Devised by Fighetta ★★★ Pros: A group of versatile female performances not restrained by stereotyping. Cons: It was very abstract with no real plot. I find it hard…

  • Hamlet, Dalstan Bunker (site-specific)

    William Shakespeare  Directed by Andrew Shepherd ★★ Pros: Great idea, good choice of location.  Cons: No depth of character or context.  Our Verdict: A great idea, but sadly full of missed opportunities which needed no expensive resources, just better use…

  • Ondisting, Ovalhouse Theatre

    Reuben Massiah Directed by Josh Azouz  ★★★★ Pros: Top class performances and a very sweet story.  Cons: Nothing worth mentioning.  Our Verdict: An exciting production with good writing and a brilliant central performance from Seraphina Beh.  Courtesy of the Ovalhouse…

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