Off West End
Much like fringe theatre, trying to define what Off-WestEnd venue really means is a debate that would take us long into the night. So for our own sanity, we define it as those venues that are slightly bigger than the fringe venues (so roughly 100+ seats), but not the big West End or similar venues that form part of the Society of London Theatre (SOLT). Like fringe venues, Off-WestEnd are eligible for consideration for awards via the Fringe Theatre Awards.
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The Beautiful Game, Union Theatre – Review
A show that captures the youthful exuberance and struggles of growing up in The Troubles but with some weak writing and music.
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The Man Who Committed Thought, Tristan Bates Theatre – Review
A compelling one-man-show that asks urgent and frank questions about issues facing Africa and the relationship the continent has with the West.
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Clybourne Park, Bromley Little Theatre – Review
A thoroughly entertaining and provocative play that will make you think, laugh and uncomfortable for all the right reasons!
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Once We Lived Here, King’s Head Theatre – Review
This show offers an authentic message about life in the Australian outback but fails to deliver escapism.
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No Place Like, Pleasance Theatre – Review
This topical exploration into the minds and memories of three elderly care home residents is brilliantly done, insightful and deliciously funny.
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The Butterfly Lovers, Blue Elephant Theatre – Review
A charming, wholesome tale that needs just a bit more polishing.
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Kingston 14, Theatre Royal Stratford East – Review
Not spectacular but funny and with enough surprising turns to keep you entertained.
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Momo, Greenwich Theatre – Review
This existential musical does not live up to its potential.
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How To Avoid Making An Entrance Of Yourself, Tristan Bates Theatre – Review
A challenging and interesting idea courageously performed, if not to everyone’s taste.
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Almost Near, Finborough Theatre – Review
A play that’s interesting in parts, but would benefit from fleshing out some of the characters.