Off West End
Much like fringe theatre, trying to define what Off-WestEnd venue really means is a debate that would take us long into the night. So for our own sanity, we define it as those venues that are slightly bigger than the fringe venues (so roughly 100+ seats), but not the big West End or similar venues that form part of the Society of London Theatre (SOLT). Like fringe venues, Off-WestEnd are eligible for consideration for awards via the Fringe Theatre Awards.
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The Sting, Wilton’s Music Hall – review
This show has the potential to be stunning: it’s set in a unique venue and features some brilliant ideas. However, it lacks a spark and it left audience members fidgeting.
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The Win Bin, Old Red Lion Theatre – Review
Razor-sharp writing and a superb performance from Kate Kennedy make this a must-see show.
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Material Men and Strange Blooms, Southbank Centre – Review
A fascinating show, which is a delight for eyes and the brain.
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Martyr, Unicorn Theatre – Review
An entertaining satire that provokes much thought and many sharp intakes of breath.
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The Sum Of Us, Above The Stag Theatre – Review
An absolutely charming and moving story of acceptance and sacrifice between father and son.
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Different Class, Etcetera Theatre – Review
A new play covering themes pertinent to many young people, and which improved immeasurably once the performers settled into their roles and relaxed.
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1938: Hitler Takes Vienna, Jack Studio Theatre – review
This play is skillfully staged and performed; a strong and well written story about the past, clearly relevant to today.
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35 Amici Drive, Lyric Hammersmith – Review
Memorable and moving. A joyful illustration of the power of movement and of community.
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And Then Come The Nightjars, Theatre 503 – Review
Everything about this play is stunning. I urge you to go!
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Ward of the Manor, St. James Theatre – Review
A solid production but will only appeal to fans of Russian literature.