Off West End
Much like fringe theatre, trying to define what Off-WestEnd venue really means is a debate that would take us long into the night. So for our own sanity, we define it as those venues that are slightly bigger than the fringe venues (so roughly 100+ seats), but not the big West End or similar venues that form part of the Society of London Theatre (SOLT). Like fringe venues, Off-WestEnd are eligible for consideration for awards via the Fringe Theatre Awards.
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then LEAP, Ovalhouse – review
Charming and well-written, but heavy on the whimsy.
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The Ruined House of Skin, The Forge – Review
This is storytelling brilliance at its best. A breathtaking night for all who wish to be terrified and dazzled.
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A Doll’s House, Rose Lipman Building – review
An engaging and stylish production, despite moments of blurred focus in the action.
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Flowering Cherry, Finborough Theatre – Review
A revival of a little-known British play, it’s a fascinating slice-of-life look at a world rarely seen of on the stage.
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Baddies: The Musical, Unicorn Theatre – review
A witty family show with a brilliant array of familiar characters as you have never seen them before. Hilarious and perplexing in turns.
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The Devil is an Ass, The Rose Playhouse – Review
An amusing story of a clumsy devil determined to fool around with humans. Definitely worth the effort required to understand the Shakespearean language.
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The Day of the Dead, Rich Mix – Review
Yet another winning evening from The Crick Crack Club - a joyous chance to revel in life and death.
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Rise + Fall, St Saviour’s Church – review
A really enjoyable night, not just because of the play itself, but also thanks to the all-round effort both before and after the show in terms of hospitality.
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Me and Mr C, Ovalhouse Theatre – Review
A very funny performance but needs a lively audience to get it going.
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The Baba Yaga Show, The Crick Crack Club at Soho Theatre
An unusual theatrical experience that is great fun if you're willing to jump in headfirst.