Off West End
Much like fringe theatre, trying to define what Off-WestEnd venue really means is a debate that would take us long into the night. So for our own sanity, we define it as those venues that are slightly bigger than the fringe venues (so roughly 100+ seats), but not the big West End or similar venues that form part of the Society of London Theatre (SOLT). Like fringe venues, Off-WestEnd are eligible for consideration for awards via the Fringe Theatre Awards.
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Happiness is a Cup of Tea, Vault Festival – Review
A courageous performance of a deeply emotional theme, told with a unique voice. Annie McKenzie’s creative exploration of grief, relationships and purpose is a show to look out for, and with some bolder stylistic decisions, could become unmissable.
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One Festival Programme A, The Space – Review
A marvellous visual journey to the moon, guided by a talented physical performer.
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The Devil Speaks True, Vault Festival – Review
This attempt at immersive theatre is well-intentioned but unfortunately lacks clarity of message
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Mirrors, Rosemary Branch Theatre – Review
An amusing, well paced show that would benefit from a more coherent theme or plot to steer the audience through the various threads and thoughts.
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Hamlet, The Rose Playhouse – Review
A powerful abbreviated Hamlet, set in the haunting (yet chilly!) archaeological dig of the Rose Playhouse.
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Four Play, Theatre503 – Review
A fun play which takes a modern approach to the subject of relationships in the 21st century. It rarely flags as it flies through its 80 minutes.
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Weald, Finborough Theatre – Review
A touching play about the difficulties of sharing your emotions and facing up to a changing world.
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Quests, Greenwich Dance – Review
One step beyond watching from the sidelines, this is the perfect performance to truly lose yourself in.
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This Thing Called Love, Rich Mix – Review
Good stories are let down by uninspiring presentation.