Off West End
Much like fringe theatre, trying to define what Off-WestEnd venue really means is a debate that would take us long into the night. So for our own sanity, we define it as those venues that are slightly bigger than the fringe venues (so roughly 100+ seats), but not the big West End or similar venues that form part of the Society of London Theatre (SOLT). Like fringe venues, Off-WestEnd are eligible for consideration for awards via the Fringe Theatre Awards.
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Norma Jeane The Musical, LOST Theatre – Review
Meet Norma Jeane… and the voices in her head. They’ll hook you in, but might leave you wanting more.
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Twist of Lemmon, St James Theatre – Review
A wonderful and emotional one man show which gives an insight into the unique father-son relationship behind one of Hollywood's finest leading men.
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The Romford Rose, Queens Theatre Hornchurch – Review
Pros: A new fusion of British and Western unlike anything currently showing, with a strong multitalented band Cons: The plot is erratic and overdramatic with few props and little set to aid it. Some of the jokes are distasteful Queens…
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Tape, Drayton Arms Theatre – Review
An intense 75-minute piece that intelligently has you guessing throughout.
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The Complete Works of William Shakespeare (Abridged), The Bread and Roses Theatre – Review
Pros: Builds a fantastic relationship between audience and performers. Fast paced, energetic and hilariously clever. Cons: Perhaps not suitable for anyone under the age of 16 and be warned, there is audience participation! Of the many performances mounted this year to…
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Big Brother Blitzkrieg, King’s Head Theatre – Review
A funny yet terrifying play with a strong ensemble and very dark undertones.
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Measure for Measure, The Rose Playhouse – Review
Heady Conduct’s makeover of Measure for Measure lacks character but highlights the commitment of the company to theatrical craftsmanship.
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A Subject of Scandal and Concern, Finborough Theatre – Review
A timely, thought-provoking play based on a true story of the last man in England to stand trial for blasphemy.
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I’m Just Here To Buy Soy Sauce, New Wimbledon Theatre – Review
This is a well-written and tragicomic representation of London’s property market and its exploitation by foreign investors.
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The Great American Trailer Park Musical, Waterloo East Theatre – Review
Pros: Strong ensemble, original score, great direction Cons: The band was far too loud in parts, and drowned out the cast Anything that has the words ‘trailer’ and ‘park’ in it will always get my vote as I love a bit…