Everything Theatre Reviews, interviews and news for theatre lovers, London and beyond

If you’re into dance, the Peacock should be on your radar. It plays host to some of the most original productions around, yes. But just as importantly, it gives you an up-close-and-personal view of that all-important footwork from virtually every seat in the house. This intimate vibe works particularly well for Beats On Pointe, a groundbreaking Australian dance show on the first stop of its world tour. It’s sold as ‘an electric fusion of street dance and ballet’. But that’s ...

Meet Norma Jeane… and the voices in her head. They’ll hook you in, but might leave you wanting more.

Devilish! tempts us to indulge in an evening of undemanding entertainment, but should have demanded more of itself.

With the EU Referendum looming, Samantha Simmonds considers an age-old political question: What Would Shakespeare Do?

This concept-driven dance production promises much, but fails to realise its potential.

Pros: The solid supporting cast have impeccable comic timing and the set is superbly designed. Cons: A combination of clumsy plotting and under-development of central characters means the human story doesn’t illuminate the bigger picture as it should. A night at Southwark Playhouse is always a bit of a gamble. Whilst a comfy seat, clear view and great value bar snacks are always guaranteed, the productions themselves are anything but predictable. Which, of course, makes things all the more exciting. The ...

The Windsor Wives go Northern for this frolicsome farce which promises a merry night for (nearly) all concerned - even if you do end up covered in dirty washing.

Richard III transforms from ‘monster’ to martyr before our eyes, in an entertaining historical drama undermined by its reliance on archetypes.