Pros: Accessible storytelling by a fascinating creative. Cons: The simple format can often feel more like a lecture, so might not appeal to everyone. This is a show about the moments when we’re caught off guard: the photos taken when we drop our poses and show our real selves, baggage and all. Volker Gerling, a trained filmmaker, began making flipbooks in 1998 as an experiment. Soon he was touring cafes and bars in Berlin, showing flipbooks from a hawker’s tray ...
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When the Friendship Has Sailed, C Venues: C Aquila, Edinburgh Festival Fringe – Review
Pros: A versatile cast, clever props and a well-rounded piece that delivers lots of humour alongside the take-home message. The cast and crew should be proud. Cons: None. Loneliness is a hot topic that can leave you out in the cold. We’ve known for decades that it affects the elderly, but the media has only discussed loneliness in millennials and upwards in the last few years. Carrie, the protagonist of When the Friendship Has Sailed, has a goldfish to talk ...
Read More »Pity, Royal Court – Review
Pros: British clichés and drama tropes are nailed, aided by a vast number of fun props and different music styles, from rap to community brass band tunes. The cast is a deliberate cross-section of modern Britain, with some stand-out performances. Cons: At times it feels like the weirdness factor is cranked up just for a reaction, with little relevance to the plot. A seemingly relentless war section labours its writer’s and director’s point. It must be a nightmare to clear ...
Read More »For King and Country, Southwark Playhouse – Review
Pros: The cast can sustain tension and passion; it is genuinely moving to watch this less-discussed side of WWI history. Cons: A stiflingly hot venue makes several audience members lose concentration; due to the thrust stage, some lines are hard to hear when actors aren’t facing you. At the end of this month, it will be 101 years since the Battle of Passchendaele began. It lasted until November 1917. Unlike the current British heatwave, Passchendaele started with heavy rainfall, turning ...
Read More »A Lesson from Auschwitz, New Wimbledon Theatre – Review
Pros: By honing in on Höss, Hyland’s play doesn’t choose the obvious Holocaust perpetrators (Hitler, Himmler, Mengele et al). Cons: Crescendos in Höss’ speech become distracting; likewise, proximity to the audience and prolonged emphasis of gestures can overkill the intensity. The term ‘political hygiene’ is a chilling one, especially when spoken by Rudolf Höss, commandant of Auschwitz-Birkenau, a place he has just described as ‘the largest human slaughterhouse in history’. Hearing these words on a hot Saturday night in gentrified ...
Read More »Sancho: An Act of Remembrance, Wilton’s Music Hall – Review
This bold, nuanced and highly engaging one-man show from the multi-talented Paterson Joseph uncovers a black British trailblazer who should be remembered in mainstream history.
Read More »H.R.Haitch, Union Theatre – Review
A right Royal romp through an alternative 2011, where prince-in-disguise Bertie and his fiancée, pub chef Chelsea, are about to turn Daily Express readers potty.
Read More »Little Eyolf, The Print Room at the Coronet – Review
An Ibsen play successfully transported to the present day by some of Norway’s finest actors, in a near-flawless production. Norwegian language with surtitles sounds daunting, but it isn’t.
Read More »Gauhar Jaan – The Datia Incident, Omnibus Theatre – Review
Shining a light on India’s pre-Bollywood queen of entertainment, Gauhar Jaan is an original, funny and exciting debut play, albeit with a rushed ending and some scene change issues. It has rightly sold out its entire run already.
Read More »Love Me Now, Tristan Bates Theatre – Review
An of-the-moment piece that feels true to the state of modern dating and intertwined issues around consent, truth and power.
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