Polly Allen
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Portraits in Motion: Volker Gerling, Summerhall, Edinburgh – Review
Pros: Accessible storytelling by a fascinating creative. Cons: The simple format can often feel more like a lecture, so might…
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When the Friendship Has Sailed, C Venues: C Aquila, Edinburgh Festival Fringe – Review
Pros: A versatile cast, clever props and a well-rounded piece that delivers lots of humour alongside the take-home message. The…
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Pity, Royal Court – Review
Pros: British clichĆ©s and drama tropes are nailed, aided by a vast number of fun props and different music styles,…
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For King and Country, Southwark Playhouse – Review
Pros: The cast can sustain tension and passion; it is genuinely moving to watch this less-discussed side of WWI history.…
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A Lesson from Auschwitz, New Wimbledon Theatre – Review
Pros: By honing in on Hƶss, Hylandās play doesnāt choose the obvious Holocaust perpetrators (Hitler, Himmler, Mengele et al). Cons:…
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Sancho: An Act of Remembrance, Wiltonās Music Hall – Review
This bold, nuanced and highly engaging one-man show from the multi-talented Paterson Joseph uncovers a black British trailblazer who should…
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H.R.Haitch, Union Theatre – Review
A right Royal romp through an alternative 2011, where prince-in-disguise Bertie and his fiancĆ©e, pub chef Chelsea, are about to…
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Little Eyolf, The Print Room at the Coronet – Review
An Ibsen play successfully transported to the present day by some of Norwayās finest actors, in a near-flawless production. Norwegian…
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Gauhar Jaan – The Datia Incident, Omnibus Theatre – Review
Shining a light on Indiaās pre-Bollywood queen of entertainment, Gauhar Jaan is an original, funny and exciting debut play, albeit…
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Love Me Now, Tristan Bates Theatre ā Review
An of-the-moment piece that feels true to the state of modern dating and intertwined issues around consent, truth and power.
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