Marianna Meloni
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Tightrope, Lyric Hammersmith – Review
An awe-inspiring circus show with truly amazing able-bodied and disabled artists performing together.
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Richard III, Arcola Theatre – Review
A vibrant depiction of one of England's most cruel sovereigns, which has a strong resonance in contemporary politics but doesn't…
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London Clown Festival, Hornsey Town Hall – Review
An opening night of cabaret with a few interesting acts, but overall disappointing.
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The Pulverised, Arcola Theatre – Review
The toxic side effects of globalisation through the eyes of four employees of a multinational company.
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Interviews
Interview: Liam O’Rafferty on ‘Paper Hearts’
'Paper Hearts' director Liam O'Rafferty discusses bringing his debut musical to life.
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It’s Not Yet Midnight…, Roundhouse – Review
A spectacular demonstration of physical abilities by a company with a strong ethos which could benefit from more theatrical direction.
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Expensive Shit, Soho Theatre – Review
Pros: The message about objectification of women is powerful and originally conveyed. Cons: The parts spoken with a Nigerian accent…
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Tejas Verdes, Ugly Duck – Review
A simple yet thought-provoking promenade drama about the brutal dictatorship of General Pinochet in Chile.
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Interviews
Interview: Titas Halder on ‘Escape the Scaffold’
'Escape the Scaffold' playwright Titas Halder tells us more about his visions as a theatre-maker and how it all began…
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Interviews
Interview: Leon Fleming on ‘Kicked in the Sh*tter’
'Kicked in the Sh*tter' playwright Leon Fleming talks with us about crowdfunding, regional theatre and being inspired by the unsavoury.
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