Marianna Meloni
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Phoenix Rising, Smithfield Car Park – Review
Working with young care leavers, The Big House produces exceptional performances that combine raw and resounding topics with excellent technical…
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Picasso, The Playground Theatre – Review
Pablo Picasso's reputation as a womaniser is under scrutiny in The Playground Theatre's inaugural production, but the beauty of the…
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The Mysterious Gentleman, Courtyard Theatre – Review
Illusion and drama intertwine in the life story of JN Maskelyne, father of modern magic in the Victorian era.
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The Trap, Omnibus Theatre – Review
A light-hearted and exhilarating comedy about the current financial struggles and the money lending business loop.
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Interviews
Interview: Therese Ramstedt on ‘Mission Abort’
Following performances in Edinburgh and Amnesty International's Festival of Choice, Therese Ramstedt reflects on her one-woman show 'Mission Abort'.
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Under Glass, Hackney Showroom – Review
A one-of-a-kind concept, where dance and physical performance create a live art installation.
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Richard III, Cockpit Theatre – Review
Australian director Lawrence Carmichael fills Shakespeare's words with fresh meaning, offering a breath-taking drama and an unexpectedly amusing moment.
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Reunion & Dark Pony, John Harvard Library – Review
Pros: The unusual setting in a library. Cons: The large windows facing a busy street can be quite distracting. A…
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The Tempest, Greenwich Theatre – Review
Gently blending British and Malawian features, this production epitomises intercultural theatre.
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Rebel Angel, Old Operating Theatre Museum – Review
A well-written piece about John Keats' decision to abandon the medical profession to become a poet. Inspiring and beautifully performed.
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