Laura Kressly
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Jekyll and Hyde, Lion and Unicorn Theatre – Review
With inventive design and staging, a speedy pace and great atmosphere, this is an enjoyable show for this time of…
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Mother Courage and Her Children, The Royal Arsenal – Review
Despite uncomfortable conditions, this was a well-performed and directed production in a fittingly historical setting.
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Troilus and Cressida, Tristan Bates Theatre – Review
This is cutting-edge Shakespeare, don’t miss it. Lazarus’ work epitomises the spirit of fringe theatre.
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No Take Backs, Tristan Bates Theatre – Review
A dark comedy with absurd leanings that presents a good example of Camden Fringe Festival fare.
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Killed: July 17th 1916, Jack Studio Theatre – Review
An excellent piece of new writing that is a provocative, honest view of WWI focusing on a small group of…
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Romeo & Juliet, Lauderdale House – Review
This is excellent fringe Shakespeare that proves you don’t need high production values if you have a talented team.
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Domestic Labour: A Study in Love, The Place – Review
The performance had great potential to convey important messages, but felt underdeveloped.
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Rhesus, Trinity Buoy Wharf – Review
This is a showcase of students coming to the end of their training where few stand out, but it is…
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Super Premium Soft Double Vanilla Rich (LIFT Festival), Arts Depot – Review
A fascinating commentary on modern Japan - thought provoking and humorous, but tedious at points.
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Mugs Arrows, Old Red Lion Theatre – Review
This is writing that does not let itself be confined by genre and has fantastic performances. However, the shifts in…
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