Irene Lloyd
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The Bekkrell Effect, Roundhouse – Review
A humorous and entertaining display of acrobatics by skilled performers who make it look deceptively easy.
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Lord of the Flies, Greenwich Theatre – Review
This stage adaptation of Lord of the Flies is made emotional and thought-provoking by the unified strength of the performances,…
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Glass Roots, Tristan Bates Theatre – Review
Interesting questions raised about bullying and racism in this restaurant setting, but the actions were slightly repetitive and nothing is…
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Harold and Maude, Charing Cross Theatre – Review
Pros: Sheila Hancock owning the stage, with a good foil in Bill Milner. Cons: Lacks a bit of sparkle. Harold (Bill…
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Carmen 1808, Union Theatre – Review
A lively and enjoyable mix of operatic and west end musical style songs, incorporating some excellent dance routines, with passion,…
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Doodle the Musical, Waterloo East Theatre – Review
A very amusing musical mocking the tropes of WWII films.
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The Crystal Egg Live, The Vaults – Review
Pros: The set and the performance of Carolina Main as Anna-Jacoby. Cons: At times it dragged a bit and needed to…
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The Grinning Man, Trafalgar Studios – Review
A very funny, gruesomely gothic musical with great performances, costumes, set design, songs, puppetry, some drama, some romance, and even…
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Ongals: Babbling Comedy, Soho Theatre – Review
An hour’s worth of very silly, but fun, antics from a Korean clown troupe. The perfect break from the West…
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Border Tales, The Place – Review
A clichéd portrayal of a Northern ‘bigoted homelander’ dealing with people from different cultural backgrounds. Worth seeing for the excellent…
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