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Dance
Review: Kontemporary Korea: A Double Bill of K:Dance, The Place
Korean art has long enthralled the West: from Changgeuk and Pansori (Opera/folk performance) to swooping, spidery calligraphy. Now, a festival…
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Reviews
Review: Breakin’ Convention 2025, Sadler’s Wells
For the more witchy among you, May Day bank holiday or Beltane is all about renewal, regrowth, and May poles.…
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Reviews
Review: Holly Blakey: A Wound with Teeth & Phantom, Southbank Centre
Holly Blakey is hot hot hot. This double bill gives an excerpt of an upcoming full-length show and a flash…
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Reviews
Review: Outsider, Sadler’s Wells
Don’t we all want to regress evolutionarily and return to the trees? Ok just me? Well, Dance Reflections does just…
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Reviews
Review: Cunningham Forever (BIPED & Beach Birds), Sadler’s Wells
Midway through the gold-spangled Dance Reflections Festival (by Van Cleef & Arpels), Lyon Opera Ballet takes on the messiah of…
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Reviews
Review: Cruel Intentions, New Wimbledon Theatre
A story across three decades: an 18th-century play morphing into two 20th-century films and now a 21st-century jukebox musical. Sadly…
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Dance
Review: Birdboy/United Fall, Sadler’s Wells
Irish choreographer Emma Martin’s London debut promises an all-ages tribute to the oddballs of the world but rather slides between…
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