Elke Wiebalck
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Mojo, White Bear Theatre – Review
A dark and disturbing tour-de-force set in a Soho club in the Rock and Roll 50’s . As comic as…
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Werther, Arcola Theatre – Review
Glyndebourne can wait – this beautiful production of the tragic story of Werther and his beloved Charlotte will move you…
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Dirty Rotten Scoundrels, Savoy Theatre – Review
A classic musical that is as entertaining as it is funny, with Robert Lindsay suavely working his magic in the…
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The House of Bernada Alba, King’s Head Theatre – Review
A bolder directorial approach would have brought more tension, substance and punch into a somewhat plodding performance.
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An Interview with Gaddafi, Waterloo East Theatre – Review
This performance felt like a political manifesto with a play attached that was not able to inspire and engage.
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One Man Show – Projector/Conjector – GRAFT, The Place – Review
Mamoru Iriguchi’s triple bill at The Place is as strange as it is funny, while his use of technology is…
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American Boy, Sadler’s Wells – Review
This humorous performance is engaging and fun, and would have benefited from delving more deeply into its more interesting elements.
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De Profundis, Leicester Square Theatre – Review
A haunting and beautiful new musical based on a sorrowful letter Oscar Wilde wrote while imprisoned for homosexuality.
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Smashed, Southbank Centre (Udderbelly) – Review
Apples fly around with intense precision in this mesmerising, comic and brilliant performance that spans juggling, theatre and mime.
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The Man Who Committed Thought, Tristan Bates Theatre – Review
A compelling one-man-show that asks urgent and frank questions about issues facing Africa and the relationship the continent has with…
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