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Review: The Christmas Thing, Seven Dials Playhouse

Stepping into The Christmas Thing feels like stepping back into the golden era of 90s American talk shows, think The Tonight Show or Late Night with David Letterman - if their guests were as surprised to be there as the audience was thrilled to see them. The stage design captures the nostalgic charm of vintage studio shows with TV’s, applause signs and all sort of gadgets, elevated by an absurdly comedic twist. Tom Clarkson and Owen Visser, the dynamic duo behind the cult comedy show Mr. Thing, have reimagined their Edinburgh Fringe hit as a festive live TV extravaganza,…

Summary

Rating

Excellent

A Nostalgic Blend of Comedy, Chaos, and Christmas Cheer.

Stepping into The Christmas Thing feels like stepping back into the golden era of 90s American talk shows, think The Tonight Show or Late Night with David Letterman – if their guests were as surprised to be there as the audience was thrilled to see them.

The stage design captures the nostalgic charm of vintage studio shows with TV’s, applause signs and all sort of gadgets, elevated by an absurdly comedic twist. Tom Clarkson and Owen Visser, the dynamic duo behind the cult comedy show Mr. Thing, have reimagined their Edinburgh Fringe hit as a festive live TV extravaganza, blending multimedia madness with old-school comedy for an uproarious festive experience at Seven Dials Playhouse.

Their unique blend of improv, clowning, and physical comedy shines in this festive reimagining. Clarkson and Visser’s affection for vintage humour is evident in every aspect, offering a refreshing alternative to traditional seasonal fare like A Christmas Carol. Clarkson shines as the central anchor. His quick thinking and adaptability ensure that even minor technical issues go unnoticed, keeping the show on track and spirits high. Visser as the “tech guy” brings understated wit and comedic timing to provide the perfect foil to Clarkson’s high-energy improvisation. 

This dynamic partnership is woven into the show’s structure. The first act delivers a dynamic musical opening that keeps the audience on their toes, barely giving them time to catch their breath between gags and games. While the second act slows the pace slightly, it remains engaging thanks to the duo’s inventive use of cameras, music acts that take the streets of London, and interactive segments.

So, what can you expect from The Christmas Thing? Without revealing too much (spoilers would ruin the fun). Imagine a chaotic game show segment with remote-controlled cameras and spontaneous guests – plenty of unexpected surprises and delightful cameos. From classic Christmas songs to the use of random musical instruments and unexpected 90s references, every element is executed with playful precision.

Audience members aren’t just spectators – they become part of the show, whether through spontaneous participation in games or enjoying impromptu musical performances. This show will appeal to all kinds of audiences. Even the most reserved audience members couldn’t resist cracking a smile or letting out a laugh.

Blending inventive multimedia gags with festive cheer, The Christmas Thing offers a riotous celebration of comedy. For anyone seeking something different this Christmas, this is not just another holiday show –  this unpretentious show guarantees an unforgettable evening. 


Writer/Creative Director/Co-Host: Tom Clarkson 

Writer/Technical Director/Co-Host: Owen Visser

Produced by: Emma Chisholm

Musical Direction by: Andy Chisholm

Music Composed by: Jack Garratt 

Additional Material by: Dan Clarkson

The Christmas Thing plays at the Seven Dials Playhouse until the 21st December. Further information and booking are available here.

About Jess Gonzalez

Jess González is a multilingual storyteller, performer, short-film director, and theatremaker based in London. She has produced for theatre and film in English and Spanish, both written by herself and others. Her shows have been staged in Spain, Italy, and the UK. She has also directed for the award-winning series "Dinosaurio". In recent years she´s turned to comedy, directing and co-writing the web series "Bitching Kills", where she also played Barb. It is also easy to find her on the London stage doing stand-up comedy with her nickname Jess "The Mess" or in the improv group "Loose Beavers".

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