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Review: Unpopular Culture, Camden People’s Theatre

"What did you want to be when you grow up?" This deceptively simple question from Tahira Dar's daughter serves as the catalyst for a deeply personal, brutally honest and surprisingly hopeful exploration of identity, dreams, and representation in modern Britain. In Unpopular Culture, a one woman show at Camden People’s Theatre, Dar combines movement, music and memories to create a nuanced examination of the role of representation and how casual racism shapes lives and aspirations. The performance weaves together multiple elements – Bollywood dance sequences, interpretative movement (which Dar playfully mocks), and everyday actions like folding laundry – to…

Summary

Rating

Excellent

A deeply personal exploration of identity, representation and belonging

“What did you want to be when you grow up?” This deceptively simple question from Tahira Dar‘s daughter serves as the catalyst for a deeply personal, brutally honest and surprisingly hopeful exploration of identity, dreams, and representation in modern Britain. In Unpopular Culture, a one woman show at Camden People’s Theatre, Dar combines movement, music and memories to create a nuanced examination of the role of representation and how casual racism shapes lives and aspirations.

The performance weaves together multiple elements – Bollywood dance sequences, interpretative movement (which Dar playfully mocks), and everyday actions like folding laundry – to tell a story that resonates far beyond her personal experience. Video clips of public figures discussing their encounters with racism provide a broader context, reminding us that these aren’t just historical issues but ongoing struggles and that Dar’s story is one out of millions.

This exploration of casual racism and cultural identity hits hard precisely because of how she grounds it in the everyday. Questions such as “How do you go back to where you’re from when you don’t even know where that is?” capture the complexity of belonging that many second-generation immigrants face. She tackles heavy themes with a light touch, using humour effectively without diminishing the seriousness of the issues.

The show makes clever use of its theatrical nature, engaging directly with the audience in ways that feel natural rather than forced. There’s something powerful about how Dar transforms mundane moments into opportunities for deeper reflection on the relationship between us, our heritage and pop culture. A highlight comes when she perfectly raps a bit of Waterfalls, a moment of pure joy that contrasts with the heavier themes.

While some of the commentary on racism and discrimination stays at surface level, the personal impact of these experiences is explored with nuance and depth. The performance is at its strongest when it delves into specific moments that shaped Dar’s life, making the abstract political very concrete and human.

The show’s ending strikes a particularly effective note. By acknowledging the audience’s presence as part of making her own dreams come true, Dar suggests that perhaps supporting each other’s aspirations isn’t as complicated as we make it. It’s a message that lands without feeling preachy, offering hope without ignoring the real challenges that remain. Unpopular Culture is a reminder of theatre’s power to transform personal stories into universal experiences. While tackling serious themes of racism, cultural identity, representation and belonging, it manages to be entertaining, thought-provoking, and ultimately uplifting.


Written and performed by: Tahira Dar

This show has now completed its run.

About Andrei-Alexandru Mihail

Andrei, a lifelong theatre enthusiast, has been a regular in the audience since his childhood days in Constanta, where he frequented the theatre weekly. Holding an MSc in Biodiversity, he is deeply fascinated by the intersection of the arts and environmental science, exploring how creative expression can help us understand and address ecological challenges and broader societal issues. His day job is Residence Life Coordinator, which gives him plenty of spare time to write reviews. He enjoys cats and reading, and took an indefinite leave of absence from writing. Although he once braved the stage himself, performing before an audience of 300, he concluded that his talents are better suited to critiquing rather than acting, for both his and the audience's sake.