Review: With A Bang, Etcetera Theatre

Camden Fringe

In recent years, the “end of the world” has become an increasingly popular theme in media, from the star-studded satire Don’t Look Up to the poignant Last Night. While these narratives often explore humanity’s worst instincts or its most heroic qualities, Midnight Detour Theatre‘s With A Bang takes a refreshingly intimate approach. Instead of focusing on grand gestures or societal breakdown, it explores a scenario many might secretly contemplate, using the apocalypse as the perfect excuse to message an ex.

The plot focuses on former lovers Arthur (Richard Yuill) and Eleanor (Isobel Hamilton), who reunite to honour a pact made in happier times – to spend their final day on Earth together. As the clock ticks down to humanity’s supposed doom, the pair embark on a whirlwind journey through their shared past, dissecting their relationship with equal parts humour and raw honesty.

Yuill’s writing shines in its ability to capture the nuances of a complex relationship within the confines of a one-hour runtime. The rapid-fire scenes spanning seven years of history are well crafted, with seamless transitions that keep the audience engaged throughout. Director Natcha Chirapiwat deserves praise for the smooth pacing and clever staging that brings this story to life.

Both Yuill and Hamilton deliver stellar performances, their chemistry palpable as they navigate the highs and lows of Arthur and Eleanor’s history. Hamilton’s portrayal of Eleanor’s outbursts is particularly noteworthy, avoiding the trap of melodrama and instead presenting a believably flawed and relatable character. Yuill’s Arthur is equally well-rounded, his decision to ignore his current fiancée in favour of this rendezvous highlighting his less-than-heroic qualities.

The play doesn’t shy away from the ugly aspects of relationships, instead embracing them as part of the messy reality of human connection. This unflinching approach adds depth to the characters and their shared history, making their journey all the more poignant.

The final twist is a stroke of brilliance. It transforms what could have been a neat, apocalyptic conclusion into something far more complex and tragicomic. The characters are left to face the consequences of their brutal honesty, having reopened old wounds and created new ones in the process.

The play’s brisk pace sometimes leaves us craving a deeper dive into certain moments, and a few scenes – like Arthur’s post-nightmare reaction – could benefit from a touch more emotional intensity. That said, the sharp writing and captivating performances ensure we’re fully invested in Arthur and Eleanor’s journey from start to finish. With A Bang is a thought-provoking, emotionally charged exploration of love, regret, and the human tendency to seek closure. Midnight Detour Theatre has created a production that lingers in the mind long after the final (non) explosion.

Written by: Richard Yuill
Performed by: Isobel Hamilton and Richard Yuill
Directed by: Natcha Chirapiwat
Produced by: Sophie Hodgson

With A Bang has completed its run as part of Camden Fringe