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Photo Credit @Clare Nordbruch of Ingenious Design UK

Review: Jamie Allan’s Amaze, Marylebone Theatre

As a child, once I realised magic tricks were just illusions and sleight of hand, I became a sceptical audience member. Each performance felt like a puzzle to solve rather than a spectacle to enjoy. I'd watch intently, trying to spot the hidden mechanisms or misdirections, more interested in cracking the code than being amazed. When I took my seat at the Marylebone Theatre for Jamie Allan's Amaze, I expected to approach it with the same analytical mindset. I never anticipated that Allan would rekindle the sense of wonder I'd long since forgotten. Allan's show is more than a…

Summary

Rating

Excellent

A spellbinding blend of impressive sleight of hand, cutting-edge illusions and heartfelt nostalgia, reminding us why we fell in love with magic in the first place.

As a child, once I realised magic tricks were just illusions and sleight of hand, I became a sceptical audience member. Each performance felt like a puzzle to solve rather than a spectacle to enjoy. I’d watch intently, trying to spot the hidden mechanisms or misdirections, more interested in cracking the code than being amazed. When I took my seat at the Marylebone Theatre for Jamie Allan‘s Amaze, I expected to approach it with the same analytical mindset. I never anticipated that Allan would rekindle the sense of wonder I’d long since forgotten.

Allan’s show is more than a series of tricks; it’s a journey through his life in magic. He interweaves personal anecdotes with illusions, each act building on the last to create a narrative that’s as engaging as it is impressive. From his first childhood encounter with magic to his current mastery, Allan invites us to share in his passion and rediscover our own sense of awe.

And while Allan’s technical skills are undoubtedly top-notch, it’s his ability to connect with the audience that truly stands out. He guides us through each illusion with charm and wit, his enthusiasm infectious. Even the most cynical viewer can’t help but be drawn in by his genuine love for his craft.

The technical aspects of Amaze deserve praise. Lighting, projections, and props are seamlessly integrated, enhancing rather than distracting from Allan’s performance. Childhood photos and videos provide touching glimpses into Allan’s past, grounding the spectacle in a relatable human experience.

That’s not to say the show is without flaws. Some segments in the middle drag slightly, with build-ups that don’t quite match their payoffs. However, these moments are fleeting and easily forgiven when considering the overall experience.

The final acts of the show are where Allan really shines. Without spoiling the surprises, I’ll simply say that several illusions left me genuinely baffled and delighted. For a few moments, I forgot about trying to figure out the ‘how’ and simply enjoyed the ‘wow’.

Amaze succeeds in striking a balance between spectacle and intimacy, grand illusions and personal storytelling. It’s a reminder of why we’re drawn to magic in the first place – not just for the tricks themselves, but for the feeling of possibility they inspire.

Allan’s return to the UK stage is a welcome one. Whether you’re a dreamer or a sceptic as they are categorised in the show, Amaze offers much to appreciate. It may not completely convert the cynics, but it will certainly make them remember why they cared enough to be cynical in the first place.


Created by: Jamie Allan and Tommy Bond
Composed by: Tommy Bond
Directed by: Jonathan Goodwin
Senior Creative Design by: Clare Nordbruch
Produced by: Corey Ross for Starvox Entertainment

Jamie Allan’s Amaze, plays at Marylebone Theatre until 24th August. Further information and booking are available here.

About Andrei-Alexandru Mihail

Andrei, a lifelong theatre enthusiast, has been a regular in the audience since his childhood days in Constanta, where he frequented the theatre weekly. Holding an MSc in Biodiversity, he is deeply fascinated by the intersection of the arts and environmental science, exploring how creative expression can help us understand and address ecological challenges and broader societal issues. His day job is Residence Life Coordinator, which gives him plenty of spare time to write reviews. He enjoys cats and reading, and took an indefinite leave of absence from writing. Although he once braved the stage himself, performing before an audience of 300, he concluded that his talents are better suited to critiquing rather than acting, for both his and the audience's sake.