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A well-written show filled with musicality and dedicated to the memory of Kurt Cobain.Summary
Rating
Good
In her poignant performance at the Soho Theatre, Cassie Workman boldly asserts, “If you can’t say anything shocking, you can’t say anything real,” as she delves into the tumultuous life and tragic demise of her hero, Kurt Cobain. Cobain, the iconic leader of Nirvana, tragically joined the infamous ‘27 Club’; a group of talented musicians including Janis Joplin and Amy Winehouse, who met untimely ends at the age of twenty-seven.
A sombre ambiance envelops the audience as the show commences in darkness, accompanied by the haunting resonance of ‘metallic’ rain. Through this auditory journey, we are transported to Cobain’s birthplace, Aberdeen; an industrial, somewhat neglected city. Workman skilfully navigates the narrative, shedding light on Cobain’s neglected upbringing and his enduring connection with devoted fans.
As the lights return, we encounter Workman like a ghoul poised to rendezvous with the ghost of Cobain, and in doing so to be our guide for the night. She captivates with her commanding presence, wide eyes, and a 90s grunge-inspired look reminiscent of the era that Nirvana helped define, as well as elements of the EMO movement and the MTV series Daria.
The stage is bathed in blue and purple lights, hinting at the gloom of rainy Aberdeen, and Workman moves rhythmically, infusing her spoken word with a musicality that mirrors Cobain’s own. While Cobain played instruments and sang, Workman’s unique style of delivery feels akin to singing.
Her inventive and intelligent use of language takes the audience through emotional highs and lows, punctuated with poignant rhymes. She reflects, “When the voice of his generation kills himself, he kind of ends the conversation,” delivering a heart-wrenching truth about Cobain’s impact. Her poetry exudes a Victorian allure, reminiscent of Edgar Allan Poe’s classic “The Raven”.
Drawing parallels between her own experiences and Cobain’s, Workman explores the challenges faced by highly sensitive, creative individuals in small towns that have unrealistic expectations for men. “You cannot be depressed at 23: of course, you can,” she quips, infusing humour into the narrative. The sixty-minute journey through evocative spoken word raises questions for the audience: Is this a show to be seen or felt? Should eyes be closed, lights flicker, and rhymes become the score?
While Workman’s delivery and musicality are flawless, more distinct moments of meaningful silence would help structure the piece. A strategic use of sound and light could elevate the work to greater heights, allowing the audience to better absorb the wealth of information presented. Although her command of the stage is generally strong, it occasionally falters, leaving room for improvement. If she were to embody Cobain more fully, she might further enhance the connection between performer and subject.
Workman’s evocative spoken word offers a unique perspective on Cobain’s life in a compelling performance, prompting reflection and exploration. With thoughtful enhancements, the show has the potential to achieve an even more profound and resonant impact on its audience.
Written by Cassie Workman
Produced by MZA and Century Artists
Aberdeen runs at Soho Theatre until 16 December. Further information and bookings here.
