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Review: To Have or Not to Have, Little Angel Theatre

Children’s Puppetry Festival

Children’s Puppetry Festival There’s just something about the Dutch theatre for children I’ve seen: it is refreshingly unusual and often deadpan funny. It’s unpatronising, totally involving and respectful to a young audience. With Tam Tam Theater’s To Have or Not to Have at the Little Angel Theatre we’re treated to a uniquely curious, completely captivating production that puts magic in the mundane and leaves us considering some really big questions. Before it begins, we’re requested to turn off our phones and just watch the show, waiting until afterwards to talk and ask questions. We’re gently reminded that the children…

Summary

Rating

Excellent

A wonderfully curious and captivating production for children that uses comical, surprising object manipulation to create a space for transformation and inspire imagination.

There’s just something about the Dutch theatre for children I’ve seen: it is refreshingly unusual and often deadpan funny. It’s unpatronising, totally involving and respectful to a young audience. With Tam Tam Theater’s To Have or Not to Have at the Little Angel Theatre we’re treated to a uniquely curious, completely captivating production that puts magic in the mundane and leaves us considering some really big questions.

Before it begins, we’re requested to turn off our phones and just watch the show, waiting until afterwards to talk and ask questions. We’re gently reminded that the children are quite capable of taking in the story without having it explained as it goes along. I love this, and I think the kids do too!

The stage is a large tray of sand, behind which our two performers stand. Strangely, their cast are a selection of objects that include rusty tools, feathers and a small leather bag. But in the hands of Gérard Schiphorst and Marije van der Sande they become a whole host of lively and intriguing characters.

Transformation and imagination are at the heart of the production. A pair of scissors becomes a swooping, cawing crow. A round cage pierced with feathers joins with a whisk to become another bird. It only takes a moment for these abstract objects to blend, morphing into the recognisable image of another thing. The surprise is delightful and the audience gasps out loud as they see in a new way. Some props are strange and unrecognisable, but their movements clearly suggest things we know coming alive before us: a crab, a horse. There’s great satisfaction and laughter in guessing what they might be.

This is a playful, wordless tale where characters meet and squabble over a ‘prize’, which proves to be nothing and yet everything. Castles are built, a battle takes place, yet in the end there’s no real winner. It’s a reflection on conflict and war, on ways of viewing a world built on shifting sand. But the narrative all depends on our imagination, and active acceptance of transformation and possibility. This is an exciting thought indeed.

The aesthetic of the show is impressively distinctive, with subtle use of light to complement the action. There is wonderful music throughout that takes us from themes of the Wild West to the Middle Ages, to today. It’s techno, banjo and bells, all brilliantly combined to make a magical setting and gently alter the ambiance so nothing is ever quite certain.

As promised, after the performance there is a Q&A, where the adults are as excited as the children to discuss what they’ve seen. There’s no moralising here. Everything that has been seen is to be understood on their own terms. And the use of everyday materials suggests they can easily go home and make their own story in the future. How inspiring is that?


Idea and design by Gérard Schiphorst and Marije van der Sande
Music and soundscape by: Gérard Schiphorst
Set built by: Maarten Heijkamp
Created and produced by: TAMTAM objektentheater Production

To Have or Not to Have is aimed at everyone over 7. It runs until Sunday 20 August (times vary) at Little Angel Theatre as part of their Children’s Puppet Festival. Further information and bookings can be found here.

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About Mary Pollard

By her own admission Mary goes to the theatre far too much, and will watch just about anything. Her favourite musical is Matilda, which she has seen 16 times, but she’s also an Anthony Neilson and Shakespeare fan - go figure. She has a long history with Richmond Theatre, but is currently helping at Shakespeare's Globe as a steward and in the archive. She's also having fun being ET's specialist in children's theatre and puppetry, and being a Super Assessor for the Offies! Mary now insists on being called The Master having used the Covid pandemic to achieve an award winning MA in London's Theatre and Performance.