Everything Theatre Reviews, interviews and news for theatre lovers, London and beyond
C ARTS – C venues – C aquila – studio
A relaxed and joyous 50 minutes Summary
Rating
Unmissable!
I had the pleasure of watching a very unique performance of Mark Pleases You, where about two-thirds of the way into the show performer Mark Vigeant’s laptop died. This meant that the projector, which was central to this production, couldn’t be used. Such a major technical glitch had the potential to ruin Vigeant’s evening, but he played it off remarkably well, and his goofy charisma meant that we all laughed together at the hilariously bad timing of it, and the relaxed atmosphere that Vigeant created meant it only added to the joy of the whole performance. To be honest I was left wondering for a while if it was just an extended bit – a testament to the polish of the production.
Vigeant’s performance tells a crazy story, including, but not limited to, juggling and smashing laptops, bargaining with an obnoxiously cheerful devil, arguing with his chubby 12-year-old self, and quipping with the audience. As this is a one-man show, he manages all of the many characters himself, staying self-aware at how ridiculous this sometimes looks, which only generates more laughs.
The plot follows Vigeant’s premature death in the opening minutes of the performance, which is best described as comedic storytelling, slightly theatrical but always grounded and self-aware. To his shock, he is sent straight to hell, and is given one last chance by the devil to redeem himself. This involves travelling back in time to convince his younger self of the disadvantages that come with being too much of a people pleaser, all the while pretending not to be Mark from the future. This madcap story serves as the perfect vehicle for Vigeant’s very honest and unique brand of comedy. He is a frantic and enthusiastic performer, and the kick he clearly gets out of performing is infectious and creates an open and easy atmosphere. Because of this, the crowd weren’t afraid of joining in, shouting support or chipping in with the occasional well-placed joke – a refreshing change from the abusive heckling you get with some Fringe comedy.
Xuan Nguyen’s costume design is subtle but effective, particularly in the closing minutes where Vigeant really commits to a piece of very physical comedy while donning a loud and colourful outfit which is ultimately thrown off. The show ends with a lot of skin on display, and the C Aquila studio is a very intimate venue. However, this never felt uncomfortable, but just added to the joyful absurdity of this show in quite a moving way.
Joanna Simmons’ direction is a key part of this show’s appeal. The physicality of the performance is understated but impressive, and Vigeant often runs off stage for a smooth transition, occasionally giggling, much to the audience’s delight. Moments like that never felt unprofessional. In fact, they are more a testament to the deep connection Vigeant develops with his audience.
The moral of the performance, about finding the confidence to accept and express yourself, is welcome and resonant. Vigeant’s performance is cheerfully hilarious, and his excitement is infectious, making for a delightful experience that is polished in its concision, connection and feel.
Written, and performed by: Mark Vigeant
Directed and co-created by: Joanna Simmons
Costume design by: Xuan Nguyen
Mark Pleases You plays at C Venues for EdFringe 2023 until 27 August. Further information and bookings can be found here.
