A guilty pleasure. Camp and silly, but not without flashes of insight.
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All the Things You Said You Never Said Before You Thought You Could Ever Say, Ovalhouse – Review
Contemporary dance, physical theatre and performance are brought together to explore unintentional miscommunication and its consequences.
Read More »Talking/Making/Taking Part at Ovalhouse – Review
A rewarding two-day festival during which participants got involved in lively discussions, interactive installations and brilliant performances.
Read More »Mrs Horton’s Finger, Ovalhouse – Review
An engrossing piece of work-in-progress devised theatre, filled with fun and creative promise.
Read More »MilkMilkLemonade, Ovalhouse Theatre – Review
An absurd, comic and touching play about gender and sexuality set in a dusty Midwestern town with plenty of hay and chickens to match.
Read More »Fat Man, Ovalhouse – Review
A touching version of Orhpeus and Eurydice that is at times exceptional. The show adds something to the original story by bringing it up to date, which was quite unexpected.
Read More »The Ted Bundy Project, Ovalhouse Theatre – Review
This gripping, sweetly savage performance lures you in with its uneasy charm.
Read More »This Is How We Die, Ovalhouse – Review
The show is meant to teach you that language is dead, but Christopher Brett Bailey articulates some very challenging ideas in such an articulate manner that it makes that statement hard to believe.
Read More »Heart, Ovalhouse Theatre – Review
Well-acted, this play had feeling but was too disjointed to really connect with.
Read More »Rebecca Atkinson-Lord: Woman of great direction
We talk to the Ovalhouse's Director of Theatre about nativities, Classics and feminism.
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