A guilty pleasure. Camp and silly, but not without flashes of insight.

Contemporary dance, physical theatre and performance are brought together to explore unintentional miscommunication and its consequences.

A rewarding two-day festival during which participants got involved in lively discussions, interactive installations and brilliant performances.

An engrossing piece of work-in-progress devised theatre, filled with fun and creative promise.

An absurd, comic and touching play about gender and sexuality set in a dusty Midwestern town with plenty of hay and chickens to match.

A touching version of Orhpeus and Eurydice that is at times exceptional. The show adds something to the original story by bringing it up to date, which was quite unexpected.

This gripping, sweetly savage performance lures you in with its uneasy charm.

The show is meant to teach you that language is dead, but Christopher Brett Bailey articulates some very challenging ideas in such an articulate manner that it makes that statement hard to believe.

Well-acted, this play had feeling but was too disjointed to really connect with.

We talk to the Ovalhouse's Director of Theatre about nativities, Classics and feminism.