An immersive performance based upon the American Indian worship of the rising sun combining movement and video. A lack of plot was not helped by some significant technical difficulties.
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Scarlet, Southwark Playhouse – Review
A stylish but sanitised story of sex and revenge.
Read More »Two to Tune/10 Tracks for the End of the World, The Place – Review
Contemporary dance is a difficult concept to read and fully appreciate, but this performance is particularly hard to decode.
Read More »Early Days (Of a Better Nation), Battersea Arts Centre – Review
Theatre 2.0, in which the audience is the cast. Just how well could you argue the case to defend your region? Fascinating and highly relevant.
Read More »Dead Royal, Ovalhouse – Review
A guilty pleasure. Camp and silly, but not without flashes of insight.
Read More »Shock Treatment, King’s Head Theatre – Review
Beautifully bizarre and wickedly entertaining, this show will only get better with time.
Read More »Rise Like a Phoenix, Above The Stag – Review
This show reminds us it’s still important to keep talking about HIV and does so with warmth, if a little too much reflection.
Read More »The Falcon Bride, Soho – Review
A fantastic, dark but funny Icelandic tale, delivered by a one-woman story-telling machine.
Read More »Bridlington, The Rosemary Branch Theatre – Review
With masses of potential, this overcomplicated story sadly lacked any sense of direction and was rather too ambitious.
Read More »Baby, Hope Theatre – Review
A solidly performed piece exploring life issues can be heavy going, but an engaging cast pull it through the rough patches.
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