A snappy 45 minutes of drama, consisting of two short plays, to fit into your lunch break. However, the performance of Caryl Churchill’s Seagulls far outshines the unremarkable opener, Tennessee Williams’ Every Twenty Minutes.

An absolutely outstanding multi-sensory promenade performance, and whether you love it or not, it’s unlikely you’ll ever have experienced anything quite like this before.

Joe and Jules are forced to dress as men in order to get work on the stage, only for their plan to slowly unravel before the eyes of their audiences.

Pros: Preternaturally strong aerialists are a joy to watch. Cons: Amateur production values and a lack of clear concept. I was curious and excited about this little venue – sometimes the most unassuming places are the best finds. When I arrived I was warmly greeted by the artistic directors and shown upstairs to the bar. It was a pleasant, light space, with tables and chairs, sofas, and over to one side, what looked to be a very nice piano sleeping ...

The thinking person’s summer panto.

A very intelligent and funny piece of theatre – and a tremendous first offering from Monkhead Theatre.

A compelling exploration into male suicide which will leave you wanting to reach out to people you don’t even know.

A mime comedy show blending the styles of Buster Keaton and the Marx Brothers, Tape Face provides a selection of updated, not-so -silent film, silliness.

If you want The Matrix meets 1984 with a hint of 90s rave thrown in, Lights is the show for you, taking mime to a level you might never know existed.

An awe-inspiring circus show with truly amazing able-bodied and disabled artists performing together.