All very likeable, but unfortunately lacking conviction. 

A production whose apparent simplicity masks highly complex, well thought out ideas that slowly unfold into an honest and open account of what it is like to grieve.

Pros: An almost uniformly strong cast carries the production with great enthusiasm. Plus there are good songs and music, and innovative audience interaction.  Cons: A lacklustre performance from the title role lets down an otherwise excellent show. You can tell the moment you enter the theatre that this is going to be no ordinary performance. The space is filled with a grand piano, a double bed, a sofa, armchairs and other Victorian pieces of furniture – all of which looks ...

Contemporary dance, physical theatre and performance are brought together to explore unintentional miscommunication and its consequences.

Murphy is stunningly versatile in this performance, but the piece fails to fully grab the attention of the audience.

A clever, exciting and surprising play. Unusual and experimental yet still accessible and fun to watch.

Funny, poignant, sometimes uncomfortable, relatable and relevant. If you have a vagina or know someone who has one, this show is for you.

An interesting experience that uses sound in an imaginative way; but the audio-world feels too safe and the storyline is unclear.

This production is part storytelling, part acoustic folk set and part conversation. Plenty of audience interaction leads to the feeling that this is an intimate, unrepeatable performance.

A charming and twisted original fairy tale from a splendid artist.