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A Pocketful of Bread, Ovalhouse – Review

Pros: An insightful play with an ingenious ending.

Cons: The audience gets all of the frustration, but none of the laughs of the absurdist genre.

Pros: An insightful play with an ingenious ending. Cons: The audience gets all of the frustration, but none of the laughs of the absurdist genre. A Pocketful of Bread was written in 1984 by Romanian playwright Matei Visniec, and this production at Ovalhouse marks the play’s English-language premiere. Over the course of 45 minutes, it follows Man with Hat and Man with Stick as they try to decide what to do about the situation they have happened upon: a dog stuck at the bottom of a well. The two men rage at the cruelty of humankind, bicker about the…

Summary

Rating

Good

A timely and poignant reflection on human nature, but not a lot of fun.

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A Pocketful of Bread was written in 1984 by Romanian playwright Matei Visniec, and this production at Ovalhouse marks the play’s English-language premiere. Over the course of 45 minutes, it follows Man with Hat and Man with Stick as they try to decide what to do about the situation they have happened upon: a dog stuck at the bottom of a well. The two men rage at the cruelty of humankind, bicker about the best method to go down into the well, and contemplate whether or not the dog actually wants to be saved; but they end up doing nothing other than throwing down some bits of bread.

The inevitable comparison is with Beckett’s Waiting for Godot, which features similarly surreal discussion between the two characters (Man with Stick and Man with Hat spend several minutes discussing whether or not blind dogs actually exist). I was also strongly reminded of Chekhov’s The Cherry Orchard, due to the sense of indolence that pervades the play: the characters clearly recognise the need to do something, then proceed to talk and talk until they’ve talked themselves out of it again.

Watching a play by Chekhov or Beckett can be a real exercise in frustration for the audience, and A Pocketful of Bread is not much different. The show’s very short running time means that it’s not exactly a chore to sit through, but it definitely lags at times. It’s also, unfortunately, just not very funny. While in other absurdist plays the audience is usually rewarded for their patience with comic dialogue, Visniec’s text doesn’t manage to raise more than a couple of lukewarm chuckles.

On the positive side, Ross Mullan and Gabriel Mansour deliver assured performances as Man with Hat and Man with Stick respectively, and there’s an ingenious twist at the end which almost makes up for all the earlier frustration. Director Anne-Sophie Marie has certainly picked a good moment in history to present this bleak, poignant reflection on human nature, which feels very timely despite its age. I just wish, perhaps confirming all Visniec’s worst fears about humankind, that it had been a bit more fun.

Written by: Matei Visniec
Translation and Adaptation by: Ana Nanu and Anne-Sophie Marie
Directed by: Anne-Sophie Marie
Produced by: Gabriel Mansour and Ana Nanu
Box Office: 020 7582 7680
Booking Link: http://www.ovalhouse.com/whatson/detail/a-pocketful-of-bread
Booking Until: 13th September 2018

 

About Eva de Valk

Eva de Valk
Eva moved to London to study the relationship between performance and the city. She likes most kinds of theatre, especially when it involves 1) animals, 2) audience participation and/or 3) a revolving stage. Seventies Andrew Lloyd Webber holds a special place in her heart, which she makes up for by being able to talk pretentiously about Shakespeare. When she grows up she wants to be either a Jedi or Mark Gatiss.