A romantic and exciting show about a silent star. A fun production with many different twists and turns throughout.
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Interview: Robert Crighton on ‘Undead Bard’
Ahead of Undead Bard at Theatre N16, storyteller and comedian Robert Crighton talks bardolatry, Shakespeare tax...and William the zombie stand-up comedian.
Read More »Toy Soldier, Jack Studio Theatre – Review
An over-simplified political statement about war which has been squeezed of any mystery.
Read More »The Brides of Bluebeard, Camden People’s Theatre – Review
Cabaret quartet The Ruby Dolls are funny, fiery and feminist in this modern reinterpretation of a classic folk story.
Read More »Kenny Morgan, Arcola Theatre – Review
A tense and heart-wrenching play about forbidden and unrequited love.
Read More »Father Comes Home from the Wars, Royal Court Theatre – Review
High-stakes games are played for ever-darker laughs in this beautifully written interrogation of morality and American history.
Read More »Interview: Mark Thomas on ‘The Red Shed’
Stand-up and political activist Mark Thomas chats about his latest one-man show The Red Shed, putting the personal and political onstage, and whether (or not) the show is right for you.
Read More »A Clockwork Orange, OSO Arts Centre– Review
A brave and worthwhile production of a classic story, given new life by this youthful and energetic team, and all done in a venue that gives local community centres a good name.
Read More »The Complete Deaths, Shoreditch Town Hall – Review
A hilarious display of morbid clowning.
Read More »Sid, Above The Arts – Review
Pros: If you’re a punk-lover, Craig will revive all your emotions. Cons: If you aren’t a punk-lover, you might struggle to keep up with the first ten minutes of Craig’s speech. ‘Sid Vicious is dead but punk CAN’T DIE!’ Craig (Dario Coates) enters his bedroom screaming and puts the Sex Pistols’ music on full blast. Clothes are scattered everywhere on the floor, the bed is unmade and the walls are covered in pictures of Sid Vicious, the band’s doomed frontman. ...
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