Pros: Dolan holds the audience in the palm of her hand, with a monologue that never loses pace or relevance. Cons: The plot may be too far-fetched for more sceptical audience members. Monica Dolan confirms she is still one of Britain’s most versatile actors (best known for roles in Witness for the Prosecution, W1A and Appropriate Adult), but also shows her writing talent in this timely piece. Dolan takes on the self-written role of a psychotherapist tackling a high-profile case ...

A mad dash through some of pop culture’s most iconic Drag moments.

A well-written piece of laugh-out-loud theatre that isn’t as deep as it might want to be, but is funny enough that that really doesn’t matter.

A deservedly dramatised final episode of George Orwell’s life, and the lives of those around him, with heightened tension and a dash of humour.

A charming dance work from accomplished yet unaffected performers.

Featuring a solid premise, fantastic framing devices and genuine audience participation, iAm 4.0 makes for a mid-week must-see.

A brilliant cast of kids save the show from mediocrity.

A psychedelic take on the Greek tragedy Iphigenia in Aulis, which combines audiovisual broadcast and enigmatic live performance with highly imaginative but obscure results.

Pros: Beautiful voices and some emotional scenes – this is a production where the women shine! Cons: A rushed plotline and poor sound design. It had been almost ten years since I last saw Evita, and with fond memories I was looking forward to seeing it again, at the Phoenix Theatre in London’s glitzy West End. With Wicked’s Emma Hatton following in the footsteps of Elaine Paige and taking on the leading role this was surely going to be a memorable production. ...

An engaging and amusing story about five friends at different stages of ‘flying the nest’ of their home town.