'The Grinning Man' performers Louis Maskell and Sanne Den Besten give us the low-down on this unique musical and its blend of past and present.
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Stardust, The Vaults – Review
An immensely moving production that addresses the topic of the narcotics trade with honesty, minus the usual side of false glamour.
Read More »Das Fest, The Vaults – Review
Promises a lot, but the audience is never rewarded with a big enough payoff. I left feeling hoodwinked rather than dazzled.
Read More »Treading Water, The Vaults – Review
An inconsequential and tedious view of life.
Read More »Macbeth, Wilton’s Music Hall – Review
Well performed and beautifully designed, but it was style over substance with no new insights into this familiar play.
Read More »A Princess Undone, Park Theatre – Review
Pros: The beautiful set design and the acting. Cons: The plot is weak and based on facts that the audience is expected to be familiar with. Before Diana became centre of attention for the British media, another princess had made headlines and fuelled gossip for decades. Princess Margaret, Countess of Snowdon, was the younger sister of Queen Elizabeth II and had quite a reputation as a lavish and untamed woman. Breaking off her engagement to Group Captain Peter Townsend, before marrying theatre photographer Anthony Armstrong-Jones, ...
Read More »Split, Network Theatre at Vault Festival – Review
Split is the evening of nostalgia and hilarity that everyone needs to see!
Read More »Harold and Maude, Charing Cross Theatre – Review
Pros: Sheila Hancock owning the stage, with a good foil in Bill Milner. Cons: Lacks a bit of sparkle. Harold (Bill Milner), a nineteen year old early Emo type, attends funerals in his leisure time and has such a predilection for staging suicide and self-mutilation for the benefit of his mother (Rebecca Caine), that she has grown accustomed to and irritated by these episodes. Harold’s trips to the therapist (Christopher Dickinson) do not seem to be having any effect so her next ...
Read More »How New Technology Can Support Emerging Talent
As the Vault Festival enters its final weeks, Stagedoor's Head of Partnerships Jasper Bartlett considers how technology can help to support the festival's emerging artists.
Read More »Interview: Director Anne Simon on ‘Kindertransport’
Ahead of its upcoming London run, 'Kindertransport' director Anne Simon tells us how this female-driven play offers a timely message.
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